RayRay on Marvel vs. Capcom Infinite:

This entire week has been filled with a broad range of opinions by several household names in the FGC. From Bum163 to Justin Wong, it should be clear that the series' true fans are eager to see how Marvel vs. Capcom Infinite will unfold. Many of them are intrigued with the new Infinity Stone-powered sub-system, while others are looking forward to seeing iconic characters make a return.

As Raynel 'RayRay' Hidalgo has been a notable force throughout the Ultimate Marvel vs. Capcom era, we couldn't pass up the chance to hear his thoughts on what's on the horizon. 

Infinite looks like it will be the first crossover fighting game that’s more accessible for casual players. What do you think the game’s biggest challenge will be -- maintaining enough depth for veteran players?

I'm excited for it. With Street Fighter V, I truly believe they figured out how to make an "accessible" game while keeping the infinite depth that comes from the player vs. player aspect. More players. More competition. 

How much would you measure the importance that Marvel vs. Capcom: Infinite includes a significant amount of characters that contain X-men and other popular mutants?

They have to be in it. They have to appeal to the current Marvel fans as well as fighting game fans. X-Men have been part of fighting games for over 20 years now.

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Give us your overall reaction upon seeing the announcement trailers last weekend.

Well, like most people, I spent the entire week prior to the announcement hearing about the rumors non stop. All it did was build up an insane amount of anticipation. I went crazy â€" literally slammed my desk and started shrieking! [laughs]

Do you plan to stick with Vs. titles exclusively, or will you still balance your time with Street Fighter V and other titles?

I plan to continue playing both games. With the competition at an all time high, I'm not sure if anyone will be able to be dominate without giving it their all.

Many seem concerned about the lack of X-Factor and the assist system. What are your thoughts on Infinite reintroducing the Gems to be used as a groove à la CvS2?

The lack of assists bothered me at first. Trying to be unbiased and thinking about it more, having both characters switch seamlessly is more like having one big character and the gems are like variations. Plenty of depth there!

What features do you feel Infinite must include in order to guarantee it will resonate with veteran players and new players alike?

Versus Mode [laughs] . . .that's always been enough for me. Maybe they can also include a more thought out ranked mode, where ranking up actually means something.

Are there any creative, special modes that you’d like to see included along with the confirmed Story and Mission Modes Infinite will be offering?

Obviously a 4-player 2v2 mode is always fun. 

Mega Man X and Captain Marvel are two of the newest additions joining the Vs. universe. What additional characters would you like to see added to the roster?

I'm a fighting game fan, not a comic book fan. I want to see all the classic fighters come back.

What insight would you offer for anyone that feels skeptical about Infinite's success?

Being skeptical with so little information makes no sense. It's that simple. With fighters evolving faster than ever, I say let's crack it open and make it our own again.

"

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Marvel and ABC’s online series could solve a lot of problems over the midseason hiatus

Every winter, the networks take anywhere from two weeks to a month for a hiatus.

The idea is to not compete with holiday programming, but it also allows the writing teams to take time off and return with new ideas. The midseason hiatus also allows companies to focus on scheduling episodes during “sweeps,” the months in which Nielsen spends more time collecting and reporting ratings. If networks schedule bigger episodes during those months, they can report higher numbers to advertisers.

Networks want to make as much money as possible, so it doesn’t make sense to have the hiatus in the sweeps months of November or February. The networks would lose out on potential advertising deals and face other financial risks. Having the biggest episodes air at the end of November and the first week of December, however, allows the networks to work within Nielsen’s reporting schedule while also getting ahead of the Christmas rush. What’s the point of pitting The Flash against Rudolph, for example?

In recent years, however, networks have started rethinking this strategy as viewership numbers tank. One, ABC, is revisiting its midseason strategy. Last year, ABC kept eight of dramas off the air for 11 weeks â€" with four of those weeks coming during the midseason hiatus. Fox, NBC and CBS brought the majority of their series back around the first week of January, but many of ABC’s shows didn’t return for another week or later. ABC saw huge losses in return viewership, with one of its biggest series, How to Get Away with Murder, dropping 20 percent overall.

The question for ABC â€" and other networks â€" is how to give creative teams their winter break, retain good ratings and not compete with holiday programming?

ABC and Marvel seemed to have found a solution to the viewership problem: a digital series that will air for a limited time.

On Wednesday, Marvel and ABC announced that it will be launching an online-only series, Slingshot, with Agents of Shield star Natalia Cordova-Buckley in the lead as Elena “Yo Yo” Rodriguez. Each episode will be three to six minutes long, and although it’s not a full television show, it seems like it may accomplish its goal: keep audiences engaged while Agents of Shield is off the air.

The idea is so brilliant in its simplicity its a wonder networks didn’t try it sooner. Firsst, It’s cheaper for a big network to make a six-minute web series. Consider some of the biggest, most extravagant web series â€" like RocketJump’s >Video Game High School, which cost the studio around $636,000 an episode â€" as well as some of the smallest â€" like Andy Gets Dumped â€" which doesn’t even come close to that budget.

For a three-minute film using equipment and sets already available to the studio and actors, the costs would remain relatively low, but the show could generate a decent amount of advertising revenue. In a 2015 study from Turner Broadcasting and Horizon Media, researchers discovered that “premium online video from broadcast and cable networks outperforms video content from other publishers,” according to AdWeek. That means advertisers are more likely to give money to networks like ABC, NBC and CBS over other platforms because their content is better. ABC and Marvel teaming up for a web series doesn’t just make sense in terms of appeasing fans hungry for new content, but it also may generate income in the long run.

The other reason â€" one that’s more important to audiences than networks â€" is that it gives back to fans who tune in every week. Gary Newman, co-chairman and CEO of Fox Networks Group, told AdWeek that unless shows are airing on a premium network like HBO or Showtime, it doesn’t make sense to have 10 to 13 episodes in one season and go without a hiatus. Newman added that networks had to start doing more to keep audiences entertained and engaged.

“The alternative is the old-fashioned preemptions and repeats, and let's remember how frustrating that was to the audience," Newman said. "There's no perfect answer, so we're going to still continue to do that.”

Reruns have always been a complaint, but in a pre-streaming world, there wasn’t much that could be done. Now, when services like Netflix, Hulu and Amazon Video are accessible anywhere for a relatively cheap price, a three or six-week hiatus drives audiences to streaming platforms to watch new shows. Magna Global analyst Brian Hughes told Ad Age in March that fans weren’t necessarily upset with the lack ofnew content on network TV, but they’ve grown accustomed to having more to choose from because of streaming platforms.

“I'm inclined to think any impact the midseason breaks have on audience has more to do with how fans want to watch than being frustrated with a delay,” Hughes said.

Retaining viewership remains the most important goal in planning the midseason hiatus. Keeping audiences engaged leads to higher ratings, more conversation in the press and a generally more enthusiastic fan base. It’s, again, what makes Marvel and ABC’s plan to bridge the midseason hiatus with a new web-only series not only a good decision but also a necessary one.

Agents of Shield is also the perfect show because of its target audience. More than How to Get Away with Murder or Scandal, Agents of Shield appeals to a much younger demographic that is more likely to go online to catch up with a series or start a new one. According to Statista, more than 65 percent of Netflix users are between the age of 16 to 24, the same audience that ABC targets with Agents of Shield.

Whether the series will work the way the network wants is yet to be seen. But it’s the first step in addressing a problem bothering networks for years, and has only worsened in the streaming age.

Slingshot kicks off Dec. 13 on ABC.go.com.

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| Marvel | ABC’s | online | series | could | solve | problems | over | midseason | hiatus | Every | winter | networks | take | anywhere | from | weeks | month | p> The | idea | compete | with | holiday | programming | also | allows | writing | teams | time | return | ideas | companies | focus | scheduling | episodes | during | “sweeps | ”< | months | which | Nielsen | spends | more | collecting | reporting | ratings | schedule | bigger | those | they | report | higher | numbers | advertisers | p> Networks | want | make | much | money | possible | doesn’t | sense | have | sweeps | November | February | would | lose | potential | advertising | deals | face | other | financial | risks | Having | biggest | first | week | December | however | work | within | Nielsen’s | while | getting | ahead | Christmas | rush | What’s | point | pitting | Flash< | against | Rudolph< | example | p> In | recent | years | started | rethinking | this | strategy | viewership | tank | revisiting | Last | year | kept | eight | dramas | four | coming | brought | majority | their | back | around | January | many | shows | didn’t | another | later | huge | losses | Away | Murder< | dropping | percent | overall< | p> The | question | give | creative | break | retain | good | p> ABC | seemed | found | solution | problem: | digital | that | will | limited | p> On | Wednesday | announced | launching | only | Slingshot< | Agents | Shield< | star | Natalia | Cordova | Buckley | lead | Elena | “Yo | Yo” | Rodriguez | Each | episode | three | minutes | long | although | it’s | full | television | show | seems | like | accomplish | goal: | keep | audiences | engaged | brilliant | simplicity | wonder | sooner | Firsst | It’s | cheaper | network | minute | Consider | some | most | extravagant | RocketJump’s | Video | Game | High | School< | em>< | cost | studio | $636 | well | smallest | Andy | Gets | Dumped | â€"< | even | come | close | budget | p> For | film | using | equipment | sets | already | available | actors | costs | remain | relatively | generate | decent | amount | revenue | 2015 | study | Turner | Broadcasting | Horizon | Media | researchers | discovered | “premium | video | broadcast | cable | outperforms | content | publishers | according | AdWeek | That | means | likely | platforms | because | better | teaming | just | terms | appeasing | fans | hungry | income | reason | that’s | important | than | gives | tune | every | Gary | Newman | chairman | Networks | Group | told | AdWeek< | unless | airing | premium | Showtime | season | without | added | start | doing | entertained | p> “The | alternative | fashioned | preemptions | repeats | lets | remember | frustrating | audience | said | Theres | perfect | answer | were | going | still | continue | p> Reruns | always | been | complaint | streaming | world | there | wasn’t | done | when | services | Netflix | Hulu | Amazon | accessible | cheap | price | drives | watch | Magna | Global | analyst | Brian | Hughes | March< | weren’t | necessarily | upset | lack | ofnew | they’ve | grown | accustomed | having | choose | p> “Im | inclined | think | impact | breaks | being | frustrated | delay | p> Retaining | remains | goal | planning | Keeping | leads | conversation | press | generally | enthusiastic | base | again | what | makes | plan | bridge | decision | necessary | p> Agents | target | More | Scandal< | appeals | younger | demographic | catch | According | Statista< | users | between | same | targets | Shield | p> Whether | wants | seen | step | addressing | problem | bothering | worsened | p> Slingshot< | kicks | com< | p> |

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BATMAN & MARVEL Rule Surprisingly Down NOVEMBER 2016 Comic Book Sales

By Michael Doran December 9, 2016 07:34am ET

Credit: DC Comics

The Dark Knight ruled the top of the comic book sales chart and Marvel's "Marvel NOW!" once again has them on top of the market share categories, but despite having five sales weeks compared to 2015's four, November sales were down against last year, but it still looks like 2016 will eek out a narrow gain over 2015 when December's sales are tallied. 

Credit: DC Comics

According to sales figures released by Diamond Comic Distributors Friday morning, Bane's return helped Batman #10 and #11 top the November comic book sales charts, in a top 10 also featuring All-Star Batman #4 (4) and Batman Annual #1 (7). Marvel's Civil War II #7 (3) was there bestselling title. 

Credit: Cliff Chiang (Image Comics)

Brian K. Vaughan and Cliff Chiang's Paper Girls Volume 2 from Image Comics was November's best-selling graphic novel. 

Despite DC dominating the top of the comic book chart and perhaps aided by six entries in the graphic novel top 10, Marvel is once again the market hate leaders after ceding the position to DC for a few months during the initial months of "Rebirth."

Their 38.08% dollar share and 39.46% unit share easily topped DC's 26.17% dollar share and 31.30% unit share. 

But despite the advantage of having an extra week, November sales lagged behind sales one year ago by 4.25%. Graphic novel sales were up versus last year a robust 21.56%, but a 12.71% deficit in comic book sales wound up pulling the month into negative territory.

November 2015 featured the strong debuts of DC’s Dark Knight III: The Master Race #1 and Marvel’s Star Wars: Vader Down #1 (over 820k copies between them) so while surprising, it may simply be a matter of circumstance and not a trend.

But you can always find more insight at our friends at Comichron. 

Year-to-date 2016 still leads 2015 by 1.82% in overall sales, so it still looks like the year will likely finish up for the sixth consecutive year.

The November 2016 Market Share, Comparative Sales Data, and New Titles Shipped charts, along with Top 10 Comic Books and Top 10 Graphic Novels charts follow below.

TOP COMIC BOOK PUBLISHERS

RETAIL MARKET SHARE PUBLISHER SHARE MARVEL COMICS 38.08% DC ENTERTAINMENT 26.17% IMAGE COMICS 8.99% IDW PUBLISHING 5.23% DARK HORSE COMICS 3.65% BOOM! STUDIOS 1.98% TITAN COMICS 1.61% VIZ MEDIA 1.52% DYNAMITE ENTERTAINMENT 1.40% ARCHIE COMIC PUBLICATIONS 1.01% OTHER NON-TOP 10 10.38%

UNIT MARKET SHARE PUBLISHER SHARE MARVEL COMICS 39.46% DC ENTERTAINMENT 31.30% IMAGE COMICS 9.06% IDW PUBLISHING 4.59% DARK HORSE COMICS 2.85% BOOM! STUDIOS 1.66% TITAN COMICS 1.30% DYNAMITE ENTERTAINMENT 1.23% VALIANT ENTERTAINMENT LLC 1.15% ARCHIE COMIC PUBLICATIONS 1.06% OTHER NON-TOP 10 6.34%

COMPARATIVE SALES STATISTICS

	DOLLARS	UNITS
NOVEMBER 2016 VS. OCTOBER 2016
COMICS	-10.33%	-13.26%
GRAPHIC NOVELS	19.48%	18.91%
TOTAL COMICS/GN	-2.72%	-11.35%
TOYS	28.48%	53.60%
NOVEMBER 2016 VS. NOVEMBER 2015
COMICS	-12.71%	-6.09%
GRAPHIC NOVELS	21.56%	25.78%
TOTAL COMICS/GN	-4.25%	-4.15%
TOYS	-9.53%	-12.99%
YEAR-TO-DATE 2016 VS. YEAR-TO-DATE 2015
COMICS	1.85%	1.97%
GRAPHIC NOVELS	1.74%	0.77%
TOTAL COMICS/GN	1.82%	1.87%
TOYS	-5.60%	-8.56%

NEW TITLES SHIPPED

PUBLISHER	COMICS SHIPPED	GRAPHIC NOVELS SHIPPED	MAGAZINES SHIPPED	TOTAL SHIPPED
MARVEL COMICS	88	44	0	132
DC ENTERTAINMENT	84	35	0	119
IDW PUBLISHING	46	25	0	71
IMAGE COMICS	50	9	1	60
DARK HORSE COMICS	28	26	0	54
VIZ MEDIA	0	45	0	45
TITAN COMICS	23	18	2	43
BOOM ENTERTAINMENT	23	8	0	31
DYNAMITE ENTERTAINMENT	25	5	0	30
ARCHIE COMIC PUBLICATIONS	15	4	0	19
OTHER NON-TOP 10	136	217	30	383

TOP 10 COMIC BOOKS

RANK	DESCRIPTION	PRICE	VENDOR
1	BATMAN #10	$2.99	DC
2	BATMAN #11	$2.99	DC
3	CIVIL WAR II #7	$4.99	MAR
4	ALL STAR BATMAN #4	$4.99	DC
5	INVINCIBLE IRON MAN #1	$3.99	MAR
6	AMAZING SPIDER-MAN: RENEW YOUR VOWS #1	$4.99	MAR
7	BATMAN ANNUAL #1	$4.99	DC
8	VENOM #1	$3.99	MAR
9	THE WALKING DEAD #160 (MR)	$2.99	IMA
10	IVX #0	$4.99	MAR

TOP 10 GRAPHIC NOVELS & TRADE PAPERBACKS

RANK	DESCRIPTION	PRICE	VENDOR
1	PAPER GIRLS VOLUME 2 TP	$12.99	IMA
2	MARVEL: THE HIP-HOP COVERS VOLUME 1 HC	$34.99	MAR
3	DC SUPER HERO GIRLS VOL. 2: HITS AND MYTHS TP	$9.99	DC
4	STAR WARS: DARTH VADER VOL. 4: END OF GAMES TP	$19.99	MAR
5	UNBELIEVABLE GWENPOOL VOL. 1: BELIEVE IT TP	$16.99	MAR
6	SANDMAN OVERTURE TP (MR)	$19.99	DC
7	DC UNIVERSE: REBIRTH DELUXE EDITION HC	$17.99	DC
8	VISION VOL. 2: LITTLE BETTER THAN BEAST TP	$17.99	MAR
9	MOON KNIGHT VOLUME 1: LUNATIC TP	$15.99	MAR
10	DEADPOOL V. GAMBIT: V IS FOR VS TP	$16.99	MAR

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| BATMAN | MARVEL | Rule | Surprisingly | Down | NOVEMBER | 2016 | Comic | Book | Sales | Michael | Doran< | span> | December | 07:34am | p> < | div> Credit: | Comics< | cite>< | div> The | Dark | Knight | ruled | comic | book | sales | chart | Marvels | Marvel | NOW! | once | again | them | market | share | categories | despite | having | five | weeks | compared | 2015s | four | November | were | down | against | last | year | still | looks | like | will | narrow | gain | over | 2015 | when | Decembers | tallied | p> < | div> Credit: | cite> According | figures | released | Diamond | Distributors | Friday | morning | Banes | return | helped | Batman | strong> | strong> top | charts | also | featuring | Star | Annual | Civil | there | bestselling | title | Cliff | Chiang | (Image | Comics)< | cite> Brian | Vaughan | Chiangs | Paper | Girls | Volume | from | Image | Comics | Novembers | best | selling | graphic | novel | p>Despite | dominating | perhaps | aided | entries | hate | leaders | after | ceding | position | months | during | initial | Rebirth | p> Their | dollar | unit | easily | topped | p> But | advantage | extra | week | lagged | behind | Graphic | versus | robust | deficit | wound | pulling | month | into | negative | territory | p> November | featured | strong | debuts | DC’s | III: | Master | Race | Marvel’s | Wars: | Vader | (over | 820k | copies | between | them) | while | surprising | simply | matter | circumstance | trend | always | find | more | insight | friends | Comichron< | p> Year | date | leads | overall | likely | finish | sixth | consecutive | p> The | 2016 Market | Share< |  Comparative | Data< | and New | Titles | Shipped < | strong>charts | along | with Top | Books< | strong> and Top | Novels< | strong> charts | follow | below | p> TOP | COMIC | BOOK | PUBLISHERS< | strong>< | p> RETAIL | MARKET | SHARE< | td> < | tr> PUBLISHER< | td> SHARE< | tr> MARVEL | COMICS< | td> 38 | 08%< | tr> DC | ENTERTAINMENT< | td> 26 | 17%< | tr> IMAGE | td> 8 | 99%< | tr> IDW | PUBLISHING< | td> 5 | 23%< | tr> DARK | HORSE | td> 3 | 65%< | tr> BOOM! | STUDIOS< | td> 1 | 98%< | tr> TITAN | 61%< | tr> VIZ | MEDIA< | 52%< | tr> DYNAMITE | 40%< | tr> ARCHIE | PUBLICATIONS< | 01%< | tr> OTHER | td> 10 | 38%< | tr>< | tbody>< | table>< | td> < | td> UNIT | td> 39 | 46%< | td> 31 | 30%< | td> 9 | 06%< | td> 4 | 59%< | td> 2 | 85%< | 66%< | tr> VALIANT | ENTERTAINMENT | LLC< | 15%< | td> 6 | 34%< | table>COMPARATIVE | SALES | STATISTICS< | p> < | td> DOLLARS< | td> UNITS< | tr> NOVEMBER | OCTOBER | 2016< | tr> COMICS< | td> | 33%< | 26%< | tr> GRAPHIC | NOVELS< | td> 19 | 48%< | td> 18 | 91%< | tr> TOTAL | COMICS | 72%< | 35%< | tr> TOYS< | td> 28 | td> 53 | 60%< | 2015< | 71%< | 09%< | td> 21 | 56%< | td> 25 | 78%< | 25%< | 53%< | tr> YEAR | DATE | YEAR | 97%< | 74%< | td> 0 | 77%< | 82%< | 87%< | table> NEW | TITLES | SHIPPED< | p> PUBLISHER< | td> COMICS | td> GRAPHIC | NOVELS | td> MAGAZINES | td> TOTAL | td> 88< | td> 44< | td> 0< | td> 132< | td> 84< | td> 35< | td> 119< | td> 46< | td> 25< | td> 71< | td> 50< | td> 9< | td> 1< | td> 60< | td> 28< | td> 26< | td> 54< | td> 45< | td> 23< | td> 18< | td> 2< | td> 43< | tr> BOOM | td> 8< | td> 31< | td> 5< | td> 30< | td> 15< | td> 4< | td> 19< | td> 136< | td> 217< | td> 383< | table> TOP | BOOKS< | p> RANK< | td> DESCRIPTION< | td> PRICE< | td> VENDOR< | tr> 1< | td> BATMAN | td> $2 | td> DC< | tr> 2< | tr> 3< | td> CIVIL | td> $4 | td> MAR< | tr> 4< | td> ALL | STAR | tr> 5< | td> INVINCIBLE | IRON | td> $3 | tr> 6< | td> AMAZING | SPIDER | MAN: | RENEW | YOUR | VOWS | tr> 7< | ANNUAL | tr> 8< | td> VENOM | tr> 9< | td> THE | WALKING | DEAD | (MR)< | td> IMA< | tr> 10< | td> IVX | table>TOP | GRAPHIC | & | TRADE | PAPERBACKS< | td> PAPER | GIRLS | VOLUME | td> $12 | td> MARVEL: | COVERS | td> $34 | td> DC | SUPER | HERO | HITS | MYTHS | td> $9 | td> STAR | WARS: | DARTH | VADER | GAMES | td> $19 | td> UNBELIEVABLE | GWENPOOL | BELIEVE | td> $16 | td> SANDMAN | OVERTURE | UNIVERSE: | REBIRTH | DELUXE | EDITION | td> $17 | td> VISION | LITTLE | BETTER | THAN | BEAST | td> MOON | KNIGHT | LUNATIC | td> $15 | td> DEADPOOL | GAMBIT: | div> |

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