“Rectify” Is a Quiet Marvel

> Daniel was convicted of a brutal but ambiguous crime. Now that he’s out of prison, everyone wants clarity. Credit Illustration by Tomer Hanuka In the first episode of “Rectify,” Daniel Holden (Aden Young) is released from death row, and he gives a speech to journalists and protesters gathered outside the prison. Rather than assert his innocence or talk about justice, he offers a zigzagging meditation on the nature of fatalism. “I had convinced myself that kind of optimism served no useful purpose in the world where I existed,” he explains, in an underwater monotone, as the protesters look on, baffled. “Obviously, this radical belief system was flawed and was, ironically, a kind of fantasy itself.” Humbly, as if ending a philosophy seminar, he concludes, “I will seriously need to reconsider my world view.” For three years, “Rectify” has been a small marvel, an eccentric independent drama, filmed in Griffin, Georgia, and airing off the beaten track as well, on Sundance. With its skewed insights into carceral cruelty, “Rectify” took the slot that “The Wire” used to occupy: it’s the smart crime drama whose fans have trouble persuading others to watch, because it sounds too grimâ€"or maybe too good for you. It’s a frustrating dynamic that has haunted other dramas without cowboys or zombiesâ€"“The Leftovers” and “The Americans” come to mindâ€"but “Rectify” ’s reputation for difficulty is misleading. The show’s dreamy pace makes it a satisfying high, like a bourbon-soaked bob down a river on a humid day. It’s a show about the way that time gets distorted; it’s one that distorts time, too. As with many structurally daring series, it’s joyful, because its insides match its outsides. It’s also, more straightforwardly, a gothic mystery about small-town secrets. When Daniel was in his late teens, he was convicted of the rape and murder of his sixteen-year-old girlfriend, Hanna. He served nineteen years, most of them in solitary confinement. The crime itself was a foggy, ambiguous incident that involved psychedelic drugs; two boys testified against him, and, under pressure, Daniel confessed. DNA cleared him of the rape but not of the murder, so plenty of localsâ€"and, at times, Daniel himselfâ€"suspect that he did it, because he was found cradling Hanna’s naked corpse, which he’d decorated with flowers. But Daniel’s younger sister, Amantha (Abigail Spencer), never lost faith in his innocence, and she’s been sleeping with the liberal Jewish lawyer she lobbied to work on his behalfâ€"the big-city Reuben to her Norma Rae. Everyone involved wants clarity, now that Amantha’s faith has paid off. No one gets it. The murder case is reopened and leads down alarming paths. Few people want to face the uglier facts, including the knowledge that Daniel was raped in prison, multiple times. While he was on death row, his father died and his mother remarried, so he has two new stepbrothers, Ted, Jr., and Jared, who is still in his teens. In some ways, Daniel is himself an adolescent, prone to self-indulgent, self-destructive whims. In isolated Paulie, Georgia, he’s a distinctly odd figure, a socially awkward autodidact who meditated and read obsessively in his cell. He speaks in an off-kilter, whispery style, making even sympathetic neighbors uncomfortable. His mannered intellectualism marks him as an outsider, queer in several senses, as much as any suspicions of criminal guilt do. The one person who truly gets him is Ted, Jr.,’s wife, Tawney, a sweet born-again Christian who is desperate to save Daniel, and with whom he develops a dangerous chemistry. Their flirtation takes place, however, largely through elevated conversation about Thomas Aquinas and Buddha, forgiveness and humility. And, in fact, a lot of the pleasure of the show is in the dialogue, which favors the stuff that Daniel jokes is not “gallows humor” but “lethal-injection humorâ€"it’s more humane but less funny.” “It felt good to use the telephone that wasn’t smarter than me,” Daniel tells his sister, about a pay phone. His companion on a road trip tells him, “Everything that happens between men and women is written in mud. And butter. And barbecue sauce. Paula Deen said that to me in a dream I had one time.” Ted, Jr.,’s boozy koan: “First you hate it. Then you like it. It’s called beer.” While the talk takes its time, the plot moves fast. The first season covers six days in six episodes, and climaxes in two crimes, one committed by Daniel, one against him; by the fourth and final season, currently airing, only a few months have passed. Several of the best episodes are one-offs, featuring characters we never meet again. In one, Daniel drifts into the orbit of an antique dealer named Lezlie, a Pan-like anarchist, who invites anyone who is not a gentrifying yuppieâ€"the class he regards as ruining Paulieâ€"to party at his ramshackle house. In another, Daniel gets a ride from a stranger and steals some goats. There’s a strong sense in “Rectify” that, when your memory has been rendered spongy and your safety shattered, each event might last forever or be gone in a flash. Perhaps the standout episode is “Donald the Normal,” from Season 2. In it, Daniel finally leaves town. He takes a bus to Atlanta, then puts on nice clothes and goes to a museum to see a beautiful painting that he knows only from a book. Throughout “Rectify,” the claustrophobically close-knit Paulieâ€"where the local waitress sleeps with both Daniel and the politician who framed him, and where Hanna’s brother glares at Daniel’s family in the supermarketâ€"is portrayed as near-enchanted in its isolation. Any mention of a larger Southern city (even from the former Atlantan Amantha, who has a liberal hipster’s condescension for her home town) makes it sound as distant as Mars. At the museum, Daniel is approached by an attractive older woman, played by Frances Fisher. “What do you think?” she asks. “I think I’ve looked at this painting in a book for so long that somehow my brain has trivialized it,” he says. “And as I stand here in front of the real thing I feel, if anything . . . disappointed.” She’s charmed by the alien quality that others find so creepyâ€"his formal speech, his lack of boundaries. She invites him to lunch with her book-club friends. These are sleek, rich city women. He tells them that his name is Donald and that he owns a bookstore in Alabama. This experiment in reinvention falls apart fast. Daniel has cuts on his forehead and cheeks, the remnants of a beating that put him in a coma. And, bright as he is, he can’t improvise a life he never had. He finds himself faking a conversation about a book he hasn’t read, something with a “pitiful” protagonist. “This bread, um, is excellent,” he says, trying to change the subject. “The panini bread?” one of the women asks. “Yes, um, the pallini bread,” he responds. “It’s . . . unusually fresh.” It’s a heartbreaking slip, a class error that locks him out of a whole world. The book-club women get into a conversation about a story that Daniel >has read, Tobias Wolff’s “Bullet in the Brain,” and which he’s memorized. His lunch companion can’t believe it: “It would be torture to memorize.” No, he explains: it was a calming task, back during “a period in my life when I was having some difficulty dealing with the passing of time in a traditional sense.” Because Wolff’s story deals “with the bending of time,” memorizing it helped him bend time as well. References like this get at the show’s fearlessness in taking art seriously, not merely as a distraction but as a bridge between strangers, a way of reframing the world. Still, it would be an exercise in solipsism without the larger, more grounded ensemble, particularly Daniel’s opposite number, Ted, Jr., who becomes both his bully and his victim. As played by Clayne Crawford, Ted is a strutting, insecure shit-kicker, a high-school tough kid gone to seed. A salesman at the family car dealership, he’s the yuppie type Lezlie disdains, or, at least, he aspires to be: he and Tawney share a McMansion decorated in pastels. When the bank won’t give him a loan for a sketchy scheme involving leasing auto rims to black customers, he mortgages the house, despite Tawney’s resistance. When things fall apart, he gets scary. In another story, Ted might be a cartoon villain: the abusive husband who, at one point, confesses to something so close to date rape that it’s a distinction without a difference. (Crimes on “Rectify” are like that: violence so ordinary that no one reports itâ€"and, when someone does, the justice system makes it worse.) But the show sees Ted’s side, too. Like Daniel, he is a man humiliated by loss of control, with few coping skills when he’s been abandoned. In “Rectify,” anyone who feels something for others, however painful, must be redeemable. In the final season, Tawney and Ted, Jr., go to therapy, heading toward divorce. Daniel, who has been legally “banished” to Nashville, lives at a halfway house and gets an artist girlfriend. The crime is on the verge of being solved. If “Rectify” has a flaw, it’s one that so many humane shows develop in their final stretchâ€"a Tawney-like desire to save everyone, simply because these are characters we’ve loved for years. In one scene, Amantha, recognizing that an old enemy is helping solve the mystery of Hanna’s murder, asks, “Is there anyone left to hate?” Daniel wryly refers to himself as Humpty-Dumpty, but he’s often more like Kimmy Schmidt: he’s strange not because his capacity for wonder has been shut down but because it’s almost too open. As the finale approaches, it’s not the show’s problem that I’ve found myself wanting some ugly to stay ugly. Perhaps I will seriously need to reconsider my world view. >♦ "

| “Rectify” | Quiet | Marvel |

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Two More Characters Introduced For The Crossover Game! Marvel & Capcom Discuss Game's Release & Accessibility : Games : Gamenguide

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• Both Marvel and Capcon are now discussing terms for "Marvel Vs Capcom: Infinite" release date in 2017.
  (Photo: Marvel Entertainment/YouTube)

During the Capcom Cup 2016 broadcasted by ESPN 2, the trailer for the "Marvel Vs Capcom: Infinite" was shown to the public. Further details will be shared when both of the company's executive producers meet at the middle to propose a release date and the game's accessibility.

More Characters For 'Marvel Vs Capcom: Infinite'

The "Marvel Vs Capcom: Infinite" trailer feature four of the well-known characters in the franchise namely Ryu, Mega Man, Iron Man and Captain Marvel. However, there are news that Captain America and Morrigan will still be on the roster for the upcoming "Marvel Vs Capcom: Infinite" in 2017.

Furthermore, Morrigan is from the Capcom game "Darkstalkers" series, while Captain America is from the Marvel Comic Universe. Based on the trailer, Morrigan's long running Darkness illusion is still the pick for an ultimate for the character in "Marvel Vs Capcom: Infinite" and Captain America is also seen performing the character's iconic Hyper Charging Star move.

The "Marvel Vs Capcom: Infinite" is said to be a two on two battle with the third character in an assist mode, thus bring the latest sequel back to its roots from the previous games titles. Characters can also use one of the six Infinity Gems that creates some kind of power boost.

Each Infinity Gem in the "Marvel Vs Capcom: Infinite" has different advantages to whoever uses one and also represents a different aspect of the Universe namely Space, Time, Power, Reality, Soul, and Mind. In the trailer, viewers can see Ryu using the Power Gem, before Ms. Marvel uses the Time Gem to counter Ryu's attack.

'Marvel Vs Capcom: Infinite' Release Date

"Marvel Vs Capcom: Infinite" is said to be available in PlayStation 4, Xbox One, and the PC platforms in 2017. However, both Marvel and Capcom are still negotiating terms when the game title will be released.

Marvel game executive producer, Mike Jones and Capcom's Michael Evans were at the PlayStation Experience and discussed "Marvel Vs Capcom: Infinite plans. Evans stated that "Marvel Vs Capcom: Infinite" will be released when it's ready due to the fact that Capcom is making its time to make sure the story and gameplay is intact and will go directly as planned.

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Fox Sets Release Dates for Two Secret Marvel Movies; Pushes ‘Kingsman 2’ to October 2017

In addition to moving up the release date of Ridley Scott’s highly anticipated Prometheus follow-up >Alien: Covenant from August 2017 to May 2017, 20th Century Fox also shuffled another film and set release dates for a pair of unspecified Fox/Marvel movies. First the known: the sequel >Kingsman: The Golden Circle has been pushed out of the Summer 2017 corridor from its previous release date of June 16, 2017, and will now open in theaters on October 6, 2017. That’s quite a different landscape as the film will now be squaring off directly with the sequel >Blade Runner: 2049, but one imagines Fox will be playing up the action-comedy angle of the Kingsman follow-up in contrast to Denis Villeneuve’s sure-to-be serious tone for the Blade Runner sequel. Still, that’s one heck of a choice you’re asking the audience to make, and one wonders if Blade Runner might shift a bit in the wake of this news.

Kingsman: The Golden Circle is no half-assed follow-up either, as Matthew Vaughn returns to direct with an all-star cast that includes returning members Taron Egerton and Colin Firth alongside newcomers Julianne Moore, Channing Tatum, and Elton John. The first movie opened in February 2015 and grossed $414.3 million worldwide, which is incredibly solid for an R-rated action romp. I’ll be interested to see if the sequel can find similar success in the fall season.

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Image via 20th Century Fox

The October 6, 2017 release was actually previously occupied by an untitled Fox/Marvel film, which many believed was pegged for >Gambit. Filming on that X-Men spinoff starring Channing Tatum was supposed to begin in Fall 2015, but the project subsequently lost two directors and is undergoing script rewrites, so the delays plus the fact that it still has no director makes that October 2017 date impossible.

But not to fearâ€"Fox is still bullish on churning out features based on the Marvel properties it owns the rights to, as the studio has now dated Untitled Fox/Marvel films for release on November 2, 2018 and February 14, 2019. One of these dates could be for >Deadpool 2, which just landed John Wick co-director David Leitch to take the helm after Tim Miller dropped out over creative differences with star Ryan Reynolds. This sequel is a priority for Fox given that the first filmâ€"a modestly budgeted R-rated superhero movieâ€"grossed an insane $782.6 million worldwide. Production is expected to begin sometime next year as casting was well underway when Miller left, so really Deadpool 2 could be ready for release either in November 2018 or February 2019. It depends on how long Fox wants to wait and what kind of launch they want to give the follow-up. Deadpool surpassed all expectations with some solid counter-programming over the Valentine’s Day weekend of this year, so they could simply follow the same formula and release on Valentine’s Day 2019. Or the film could get a splashy holiday season superhero debut in November.

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Image via 20th Century Fox

Or, what’s more likely, Deadpool 2 could take the previously announced March 2, 2018 “Untitled Fox/Marvel Film” release date and February 14, 2019 is being eyed for the >Deadpool 3/X-Force movie that’s already in the works. Fox is reportedly already trying to nail down a director for >Deadpool 3, so the timeline would work out so that Deadpool 2 shoots in 2017 for a 2018 release and Deadpool 3/X-Force shoots in 2018 for a 2019 release.

That November 2, 2018 date is currently home to Disney’s live-action Mulan as well as an untitled Paramount Event Film, which is likely a Transformers movie. February 14, 2019, meanwhile, is currently empty.

So if one of these movies is Deadpool 3, what’s the other one? The most likely candidate is >New Mutants, which has Josh Boone (The Fault in Our Stars) writing and directing and is planned as a YA-skewing X-Men spinoff. Or it could be Gambit, if that movie finally gets off the ground. The main X-Men franchise is at a bit of an impasse as writer/producer Simon Kinberg is expected to try and jump-start things after the lackluster reception of X-Men: Apocalypse, but director Bryan Singer is not returning and the contracts for Jennifer Lawrence, Michael Fassbender, and James McAvoy have all been fulfilled. The plan now, reportedly, is for Kinberg to take a stab at writing a new X-Men film that assumes Lawrence, Fassbender, and McAvoy re-up their contracts, but with so many unknowns it’s unlikely that film would be ready for a November 2018 release.

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| Sets | Release | Dates | Secret | Marvel | Movies; | Pushes | ‘Kingsman | 2’ | October | 2017 | addition | moving | release | date | Ridley | Scott’s | highly | anticipated | Prometheus | follow-up | Kingsman: | Golden | Circle | been | pushed | Summer | corridor | from | previous | June | 2017, | will | open | theaters | 2017. | That’s | quite | different | landscape | film | squaring | directly | with | sequel | Image | 20th | Century | Fox The | actually | previously | occupied | untitled | Fox/Marvel | film, | which | many | believed | pegged | Deadpool | just | landed | John | Wick | co-director | David | Leitch | take | helm | after | Miller | dropped | over | creative | differences | star | Ryan | Reynolds. | This | priority | given | that | first | filmâ€"a | modestly | budgeted | R-rated | superhero | movieâ€"grossed | insane | $782.6 | million | worldwide. | Production | expected | begin | sometime | next | year | casting | well | underway | when | left, | really | could | ready | either | November | 2018 | February | 2019. | depends | long | wants | wait | what | kind | launch | they | want | give | follow-up. | surpassed | expectations | some | solid | counter-programming | Valentine’s | weekend | this | year, | simply | follow | same | formula | splashy | holiday | season | debut | November. Deadpool | 3/X-Force | movie | that’s | already | works. | reportedly | trying | nail | down | director | timeline | would | work | shoots | 2019 | release. That | currently | home | Disney’s | live-action | Mulan | Paramount | Event | Film, | likely | Transformers | movie. | 2019, | meanwhile, | empty. So | these | movies | what’s | other | one? | most | candidate |

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Cort Lane Shares the Story Behind the Delightful Marvel/Funko Pop! Animated Shorts

Marvel and Funko have collaborated to create the first-ever Funko animated shorts, which are just so charming, cute and fun that you’ll want to watch them over and over again. Each of the three shorts â€" Spellbound, Bait N Switch and Chimichangas (that last premiering December 14^th) â€" are 90 seconds in length and feature some of Marvel’s most popular superheroes and villains, including Spider-Man, Iron Man, Loki, Rocket, Groot, the Collector, Deadpool and Venom.

Of course, after viewing these shorts, we wanted to learn more about them and how they came about, so we got on the phone with Cort Lane, Marvel’s Senior Vice President of Animation & Family Entertainment. During the exclusive interview, we talked about how the idea for this collaboration evolved, how they decided on which characters to feature, which figures he’d like to see in future shorts, balancing the action and comedy, why they chose not to have any dialogue, and the future possibilities for these characters. He also talked about being a life-long Marvel fan, his journey to working at the company, and what’s it like to get to have a hand in developing and producing shows within the Marvel universe.

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Image via Marvel

Collider: These shorts are just ridiculously cute and so much fun!

CORT LANE: Well, I’m glad you think so. Obviously, we feel the same. I do feel there’s really something special here.

Who came up with the idea for this partnership between Marvel and Funko, bringing to life the Marvel Funko Pop! figures?                     

LANE: This is going to sound very corporate, but I have these big summits, once or twice a year, for Marvel Animation, with all of the lines of business that we engage with and collaborate with, and we talk about what we’re doing with our franchises and our strategic plan, over the next five years. And the products people mentioned that they’re really excited about Funko, as a partner, and the aesthetic is really popular and has a huge fan base. As part of the creative conversation, we said, “Is there something that we could do there?” It brings in a broad range of Marvel fans and Funko fans, and it’s a really unique aesthetic. We’ve had a lot of luck with Marvel/Lego animated content. It drives a really huge audience because it’s special, it’s humorous, it’s different, and it’s got a unique aesthetic. We felt there was something similar, but really different here, too. Funko is even more stylized and cuter and funnier. That was earlier this year in the spring, and Funk was not only game, but they were very excited to do it, so we made it happen. Rarely do things go that well.

Anybody who has or gets one of these figures knows that you can’t just have one, as they become a bit of an addiction. Do you have a big collection of them, yourself?

LANE: I’ve just started because I’m collecting the figures in the shorts. But I have a much more expensive collective hobby, so I have to limit myself. I collect original comic art, and I have a lot of really expensive stuff from the ‘60s, ‘70s and ‘80s. That limits me on starting new collections, or I’d be living in my mom’s basement.

At least they don’t take up a lot of room.

LANE: They don’t, but then you have to decide whether to leave them in the box or take them out of the box. I like to display them all together and create these scenes.

Is there criteria for deciding when to do a feature-length animated movie, a full animated series, shorts for Disney XD, or web shorts, and how did you decide how this project would be presented?

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Image via Marvel

LANE: This was truly an experiment. The first one went live on November 30^th, and so far, the reception is huge. It’s very timely because I have another one of those big animation summits, starting on December 7^th, and I will tell all of the lines of business that we collaborate with how successful these are. And then, the conversation is really, what’s next? I think Funko is very open to it. I think there needs to be more, in some capacity. What that looks like, there’s a lot of work to do. The audience reception is phenomenal. If I’m ever having a bad day over the next several months, I’m just going to go back to the Facebook and read the comments because they’re so glowing. Fans love you, but they’re also your harshest critics, deservedly so. It’s rare when you work in a business where you create content for fans that the reception is so joyful, and that’s been kind of neat.

With so many characters to choose from, how did you decide which characters would be in these shorts?

LANE: It was really easy. It seems like it would be a hard choice, but we know the characters that are important to fans right now. As we were starting this, Deadpool had just hit really big. I love Venom and I know Venom is probably the favorite villain of most comic fans. We see that, in terms of the audience and the merchandise. Obviously, Iron Man and Spider-Man are really popular right now, and them teaming up seemed really organic because that’s a component of Civil War and everyone knows that Iron Man will appear in a new Spider-Man movie. So, those two connecting with each other and playing off of each other is important. And then, Rocket and Groot are so important for us. There’s the Guardians of the Galaxy sequel coming, and everybody loves those characters. Quite simply, it was very easy.

Are there any characters that you’re particularly looking forward to seeing or teaming up together, if you make more shorts?

LANE: That’s a really good question. I like the vibe between Hulk and Thor. That’s a big component of the next Thor film, so I think that’s one I’d like to see. I’m an old school Avengers fan, so I’m a big Hawkeye fan. I’d like to see Hawkeye playing off of either Captain America or Black Widow. I think Black Widow is the most kick-butt heroine out there, so I would like to see her, in some capacity. Those are some of my favorites, but obviously, I’m not the only decider. Funko has characters that they would like to elevate, and Marvel has characters that they would like to elevate, but there’s really no bad choices. It’s hard to pick, really. These first three shorts were the easiest to see opportunities. I think the next batch, if we do more, will be tougher choices.

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| Cort | Lane | Shares | Story | Behind | Delightful | Marvel/Funko | Pop! | Animated | Shorts | Marvel | Funko | have | collaborated | create | first | ever | animated | shorts | which | just | charming | cute | that | you’ll | want | watch | them | over | again | Each | three | Spellbound< | Bait | Switch< | Chimichangas< | (that | last | premiering | December | 14th< | sup>) | seconds | length | feature | some | Marvel’s | most | popular | superheroes | villains | including | Spider | Iron | Loki | Rocket | Groot | Collector | Deadpool | Venom | p> Of | course | after | viewing | these | wanted | learn | more | about | they | came | phone | with | Lane< | strong> | Senior | Vice | President | Animation | & | Family | Entertainment | During | exclusive | interview | talked | idea | this | collaboration | evolved | decided | characters | figures | he’d | like | future | balancing | action | comedy | chose | dialogue | possibilities | also | being | life | long | journey | working | company | what’s | hand | developing | producing | shows | within | universe | p> < | a> Image | Marvel< | div> Collider: | These | ridiculously | much | fun!< | strong>< | p> CORT | LANE: | Well | I’m | glad | think | Obviously | feel | same | there’s | really | something | special | here | p> Who | partnership | between | bringing |   < | p> LANE: | This | going | sound | very | corporate | summits | once | twice | year | lines | business | engage | collaborate | talk | what | we’re | doing | franchises | strategic | plan | next | five | years | products | people | mentioned | they’re | excited | partner | aesthetic | huge | base | part | creative | conversation | said | “Is | there | could | brings | broad | range | fans | it’s | unique | We’ve | luck | Lego | content | drives | audience | because | humorous | different | felt | similar | even | stylized | cuter | funnier | That | earlier | spring | Funk | only | game | were | made | happen | Rarely | things | well | p> Anybody | gets | knows | can’t | become | addiction | collection | yourself | I’ve | started | collecting | expensive | collective | hobby | limit | myself | collect | original | comic | stuff | from | ‘60s | ‘70s | ‘80s | limits | starting | collections | I’d | living | mom’s | basement | p> At | least | don’t | take | room | They | then | decide | whether | leave | display | together | scenes | p> Is | criteria | deciding | when | movie | full | series | Disney | project | would | presented | div> LANE: | truly | experiment | went | live | November | 30th< | sup> | reception | It’s | timely | another | those | animation | 7th< | will | tell | successful | open | needs | capacity | What | looks | work | phenomenal | having | several | months | back | Facebook | read | comments | glowing | Fans | love | your | harshest | critics | deservedly | rare | where | joyful | that’s | been | kind | neat | p> With | many | choose | easy | seems | hard | choice | know | important | right | Deadpool< | probably | favorite | villain | terms | merchandise | teaming | seemed | organic | component | Civil | War< | everyone | appear | connecting | each | other | playing | There’s | Guardians | Galaxy< | sequel | coming | everybody | loves | Quite | simply | p> Are | you’re | particularly | looking | forward | seeing | make | That’s | good | question | vibe | Hulk | Thor | Thor< | film | school | Avengers | Hawkeye | either | Captain | America | Black | Widow | kick | butt | heroine | Those | favorites | obviously | decider | elevate | choices | pick | easiest | opportunities | batch | tougher | p> |

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Cort Lane Shares the Story Behind the Delightful Marvel/Funko Pop! Animated Shorts

Marvel and Funko have collaborated to create the first-ever Funko animated shorts, which are just so charming, cute and fun that you’ll want to watch them over and over again. Each of the three shorts â€" Spellbound, Bait N Switch and Chimichangas (that last premiering December 14^th) â€" are 90 seconds in length and feature some of Marvel’s most popular superheroes and villains, including Spider-Man, Iron Man, Loki, Rocket, Groot, the Collector, Deadpool and Venom.

Of course, after viewing these shorts, we wanted to learn more about them and how they came about, so we got on the phone with Cort Lane, Marvel’s Senior Vice President of Animation & Family Entertainment. During the exclusive interview, we talked about how the idea for this collaboration evolved, how they decided on which characters to feature, which figures he’d like to see in future shorts, balancing the action and comedy, why they chose not to have any dialogue, and the future possibilities for these characters. He also talked about being a life-long Marvel fan, his journey to working at the company, and what’s it like to get to have a hand in developing and producing shows within the Marvel universe.

>

Image via Marvel

Collider: These shorts are just ridiculously cute and so much fun!

CORT LANE: Well, I’m glad you think so. Obviously, we feel the same. I do feel there’s really something special here.

Who came up with the idea for this partnership between Marvel and Funko, bringing to life the Marvel Funko Pop! figures?                     

LANE: This is going to sound very corporate, but I have these big summits, once or twice a year, for Marvel Animation, with all of the lines of business that we engage with and collaborate with, and we talk about what we’re doing with our franchises and our strategic plan, over the next five years. And the products people mentioned that they’re really excited about Funko, as a partner, and the aesthetic is really popular and has a huge fan base. As part of the creative conversation, we said, “Is there something that we could do there?” It brings in a broad range of Marvel fans and Funko fans, and it’s a really unique aesthetic. We’ve had a lot of luck with Marvel/Lego animated content. It drives a really huge audience because it’s special, it’s humorous, it’s different, and it’s got a unique aesthetic. We felt there was something similar, but really different here, too. Funko is even more stylized and cuter and funnier. That was earlier this year in the spring, and Funk was not only game, but they were very excited to do it, so we made it happen. Rarely do things go that well.

Anybody who has or gets one of these figures knows that you can’t just have one, as they become a bit of an addiction. Do you have a big collection of them, yourself?

LANE: I’ve just started because I’m collecting the figures in the shorts. But I have a much more expensive collective hobby, so I have to limit myself. I collect original comic art, and I have a lot of really expensive stuff from the ‘60s, ‘70s and ‘80s. That limits me on starting new collections, or I’d be living in my mom’s basement.

At least they don’t take up a lot of room.

LANE: They don’t, but then you have to decide whether to leave them in the box or take them out of the box. I like to display them all together and create these scenes.

Is there criteria for deciding when to do a feature-length animated movie, a full animated series, shorts for Disney XD, or web shorts, and how did you decide how this project would be presented?

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Image via Marvel

LANE: This was truly an experiment. The first one went live on November 30^th, and so far, the reception is huge. It’s very timely because I have another one of those big animation summits, starting on December 7^th, and I will tell all of the lines of business that we collaborate with how successful these are. And then, the conversation is really, what’s next? I think Funko is very open to it. I think there needs to be more, in some capacity. What that looks like, there’s a lot of work to do. The audience reception is phenomenal. If I’m ever having a bad day over the next several months, I’m just going to go back to the Facebook and read the comments because they’re so glowing. Fans love you, but they’re also your harshest critics, deservedly so. It’s rare when you work in a business where you create content for fans that the reception is so joyful, and that’s been kind of neat.

With so many characters to choose from, how did you decide which characters would be in these shorts?

LANE: It was really easy. It seems like it would be a hard choice, but we know the characters that are important to fans right now. As we were starting this, Deadpool had just hit really big. I love Venom and I know Venom is probably the favorite villain of most comic fans. We see that, in terms of the audience and the merchandise. Obviously, Iron Man and Spider-Man are really popular right now, and them teaming up seemed really organic because that’s a component of Civil War and everyone knows that Iron Man will appear in a new Spider-Man movie. So, those two connecting with each other and playing off of each other is important. And then, Rocket and Groot are so important for us. There’s the Guardians of the Galaxy sequel coming, and everybody loves those characters. Quite simply, it was very easy.

Are there any characters that you’re particularly looking forward to seeing or teaming up together, if you make more shorts?

LANE: That’s a really good question. I like the vibe between Hulk and Thor. That’s a big component of the next Thor film, so I think that’s one I’d like to see. I’m an old school Avengers fan, so I’m a big Hawkeye fan. I’d like to see Hawkeye playing off of either Captain America or Black Widow. I think Black Widow is the most kick-butt heroine out there, so I would like to see her, in some capacity. Those are some of my favorites, but obviously, I’m not the only decider. Funko has characters that they would like to elevate, and Marvel has characters that they would like to elevate, but there’s really no bad choices. It’s hard to pick, really. These first three shorts were the easiest to see opportunities. I think the next batch, if we do more, will be tougher choices.

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