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Minggu, 27 November 2016

â€˜Marvel Vs. Capcom 4â€™: Is Capcom Preparing To Reveal New Fighting Game At PlayStation Experience? [Rumor]

23.29 Bilal Chamdy No comments

Could it be time to tag into big combos and assists in a new fighting game?

Rumors have begun to spread like wildfire. The Marvel Vs. Capcom series is rumored to be getting a new installment, and the internet is abuzz with the hopes that developer Capcom will listen to their hype.

The Marvel Vs. Capcom community has been wanting this to happen for years. Support for Ultimate Marvel Vs. Capcom 3 is nonexistent, and the game has been left for players to figure out what remaining tech they can get out of it. Even players such as IFC Yipes, perhaps the most iconic individual to have stepped onto the Marvel scene, is hoping that a new title is in the works.

Is Marvel Vs. Capcom 4 Really in the Works? https://t.co/EA6lIrLJDb pic.twitter.com/cC2XNPtvgP

â€" Comic Book Resources (@CBR) November 27, 2016

It would make sense that Marvel Vs. Capcom 4 be turned into a reality. The reception of rumors alone has sparked prayers from fighting game enthusiasts. In terms of hype and excitement, Marvel Vs. Capcom exhibition and tournament matches are among the most explosive and unpredictable. Of course, this has dwindled over time. As with all things, even the most complex of tech is able to be hidden from those who hope to crack the game for its ridiculous combos and strategies. Ultimate Marvel Vs. Capcom 3 has seen its fair share of Doom, Morrigan, Vergil, Sentinel, and Akuma. The list goes on, and a new Marvel Vs. Capcom game would breathe new life into players and their desire to pick up the sticks.

Where did the rumors originate? According to a report by Eventhubs, leaked images have surfaced across the internet that appear to be in reference to a new Marvel Vs. Capcom title. As you can see, the number â€œ4â€ stands alone with their respective logos beneath it. Many reports thereafter have stated that these images are fake, but fans are hoping that thereâ€™s still something in the works.

Why wouldnâ€™t Capcom want to jump on the opportunity to bring out a new game of such epic possibility? It would certainly help in the financial department. Pro gamers and casuals alike can enjoy the insanity of watching multiple characters duke it out in teams of three. Ryu beating the stuffing out of Wolverine again? Vice versa? Dream matches are achieved through the inclusion of each companyâ€™s iconic characters jumping onto consoles and arcades.

No updates for Marvel Vs Capcom 4 on the horizon https://t.co/woGIYqYwfm

â€" GMA News (@gmanews) November 22, 2016

Still, the hype for Marvel Vs. Capcom 4 is just that: hype. According to Tech Raptor, director Ryota Niitsuma has all but crushed the hopes of fans with Twitter posts debunking the rumor that a new game was in development. He responded to inquiry about Marvel Vs. Capcom 4.

haha Reaction is fast! It's a really good idea. but Unfortunately I'm not in that division right now. @JWonggg marvel 4?

â€" Ryota Niitsuma (@Ryota_Niitsuma) July 18, 2016

Thanks for keeping the love for the game going! I would love to make #mvc4, but nothing's happening on that front. RT @PG_Erdogan @JWonggg N

â€" Ryota Niitsuma (@Ryota_Niitsuma) September 27, 2016

As you can see, it looks as though we wonâ€™t be seeing a new title for some time. Fans remain hopeful, as the cry for a new Marvel Vs. Capcom is visually evident.

Whatever the case, Marvel Vs. Capcom 4 would be a step in the right direction. Of course, there would be plenty of licensing and other tape to cross. It wouldnâ€™t be easy to throw characters into the mix without the proper steps being taken, but that would be a small drop in the bucket of hype that Marvel Vs. Capcom has developed over the years.

For now, games like Street Fighter V and Tekken 7 will have to satisfy fighting game players. Both games have plenty of life in them, and you can bet that weâ€™ll be seeing support for these titles and others for a long time.

What are your thoughts on the possibility of Marvel Vs. Capcom 4? Do you believe that a new title would boost or harm the community as a whole? Let us know your thoughts in the comment section below.

[Featured Image By Capcom]

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Kamis, 08 Desember 2016

Marvel and ABCâ€™s online series could solve a lot of problems over the midseason hiatus

00.07 Bilal Chamdy No comments

Every winter, the networks take anywhere from two weeks to a month for a hiatus.

The idea is to not compete with holiday programming, but it also allows the writing teams to take time off and return with new ideas. The midseason hiatus also allows companies to focus on scheduling episodes during â€œsweeps,â€ the months in which Nielsen spends more time collecting and reporting ratings. If networks schedule bigger episodes during those months, they can report higher numbers to advertisers.

Networks want to make as much money as possible, so it doesnâ€™t make sense to have the hiatus in the sweeps months of November or February. The networks would lose out on potential advertising deals and face other financial risks. Having the biggest episodes air at the end of November and the first week of December, however, allows the networks to work within Nielsenâ€™s reporting schedule while also getting ahead of the Christmas rush. Whatâ€™s the point of pitting The Flash against Rudolph, for example?

In recent years, however, networks have started rethinking this strategy as viewership numbers tank. One, ABC, is revisiting its midseason strategy. Last year, ABC kept eight of dramas off the air for 11 weeks â€" with four of those weeks coming during the midseason hiatus. Fox, NBC and CBS brought the majority of their series back around the first week of January, but many of ABCâ€™s shows didnâ€™t return for another week or later. ABC saw huge losses in return viewership, with one of its biggest series, How to Get Away with Murder, dropping 20 percent overall.

The question for ABC â€" and other networks â€" is how to give creative teams their winter break, retain good ratings and not compete with holiday programming?

ABC and Marvel seemed to have found a solution to the viewership problem: a digital series that will air for a limited time.

On Wednesday, Marvel and ABC announced that it will be launching an online-only series, Slingshot, with Agents of Shield star Natalia Cordova-Buckley in the lead as Elena â€œYo Yoâ€ Rodriguez. Each episode will be three to six minutes long, and although itâ€™s not a full television show, it seems like it may accomplish its goal: keep audiences engaged while Agents of Shield is off the air.

The idea is so brilliant in its simplicity its a wonder networks didnâ€™t try it sooner. Firsst, Itâ€™s cheaper for a big network to make a six-minute web series. Consider some of the biggest, most extravagant web series â€" like RocketJumpâ€™s >Video Game High School, which cost the studio around $636,000 an episode â€" as well as some of the smallest â€" like Andy Gets Dumped â€" which doesnâ€™t even come close to that budget.

For a three-minute film using equipment and sets already available to the studio and actors, the costs would remain relatively low, but the show could generate a decent amount of advertising revenue. In a 2015 study from Turner Broadcasting and Horizon Media, researchers discovered that â€œpremium online video from broadcast and cable networks outperforms video content from other publishers,â€ according to AdWeek. That means advertisers are more likely to give money to networks like ABC, NBC and CBS over other platforms because their content is better. ABC and Marvel teaming up for a web series doesnâ€™t just make sense in terms of appeasing fans hungry for new content, but it also may generate income in the long run.

The other reason â€" one thatâ€™s more important to audiences than networks â€" is that it gives back to fans who tune in every week. Gary Newman, co-chairman and CEO of Fox Networks Group, told AdWeek that unless shows are airing on a premium network like HBO or Showtime, it doesnâ€™t make sense to have 10 to 13 episodes in one season and go without a hiatus. Newman added that networks had to start doing more to keep audiences entertained and engaged.

â€œThe alternative is the old-fashioned preemptions and repeats, and let's remember how frustrating that was to the audience," Newman said. "There's no perfect answer, so we're going to still continue to do that.â€

Reruns have always been a complaint, but in a pre-streaming world, there wasnâ€™t much that could be done. Now, when services like Netflix, Hulu and Amazon Video are accessible anywhere for a relatively cheap price, a three or six-week hiatus drives audiences to streaming platforms to watch new shows. Magna Global analyst Brian Hughes told Ad Age in March that fans werenâ€™t necessarily upset with the lack ofnew content on network TV, but theyâ€™ve grown accustomed to having more to choose from because of streaming platforms.

â€œI'm inclined to think any impact the midseason breaks have on audience has more to do with how fans want to watch than being frustrated with a delay,â€ Hughes said.

Retaining viewership remains the most important goal in planning the midseason hiatus. Keeping audiences engaged leads to higher ratings, more conversation in the press and a generally more enthusiastic fan base. Itâ€™s, again, what makes Marvel and ABCâ€™s plan to bridge the midseason hiatus with a new web-only series not only a good decision but also a necessary one.

Agents of Shield is also the perfect show because of its target audience. More than How to Get Away with Murder or Scandal, Agents of Shield appeals to a much younger demographic that is more likely to go online to catch up with a series or start a new one. According to Statista, more than 65 percent of Netflix users are between the age of 16 to 24, the same audience that ABC targets with Agents of Shield.

Whether the series will work the way the network wants is yet to be seen. But itâ€™s the first step in addressing a problem bothering networks for years, and has only worsened in the streaming age.

Slingshot kicks off Dec. 13 on ABC.go.com.

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Creators & Details On Marvel's CABLE Ongoing From X-MEN RESURRXION Line

00.07 Bilal Chamdy No comments

By Chris Arrant, Editor December 7, 2016 01:43pm ET

Credit: Marvel Comics

The creative team and plot for the 2017 Cable ongoing series has been announced by Marvel. One-time Cable writer James Robinson is returning to the title, with veteran illustrator Carlos Pacheco, in what is the sixth (and final, for now) X-Men book coming as part of the new "ResurrXion" joint line with the Inhumans.

The big conceit of the new Cable book, according to Robinson, is Nathan Summers' expertise as a time traveler, with 'timesliding' as 1990s readers will recall.

Credit: Marvel Comics

"One of the things about Cable is heâ€™s a 'time warrior.' Time travel is part of his make-up in almost every aspect of his history - no pun intended," said Robinson. "This series will be Cable on a race against time to fix time. The reason Cable must take on this quest will reveal itself as the story and mystery unfolds, but heâ€™s doing it for the sake of the Marvel Universe, which will fall apart if he doesnâ€™t take action. And in the course of Cableâ€™s mission, weâ€™ll see him in a lot of great time periods like 15th century Japan, WWI, the Stone Age, Victorian England, and on and on, all with those time periods made more crazy and sci-fi by time being fractured by the villain of our series."

While the X-Force founder has had numerous enemies over the years, Cable's first big bad is someone new.

"This series, while not throwing out any of Cableâ€™s past, will focus on him as a character for new readers as well as old ones. The villain is a new character simply named Conquest. Heâ€™s a technocrat from a future where heâ€™s worked out how to manipulate the butterfly effect of times past to make his reality perfect for his wants," Robinson said. "That ripple effect has changed the present. Cable has to stop Conquest. Conquest has no intention of being stopped and intends to use all that history has to offer in terms of warriors and villains to stop Cable at each stop our hero makesÂ in time."

This new Conquest has no connection to the previous Marvel villain of the same, who appeared Avengers/JLA and Thor. One piece of history that Robinson is keeping in mind for Cable, however, is his short run on the character in 1997's Cable #44 - #50. Although its nigh on twenty years since it occurred, Robinson remembers it vividly.

"I remember a great deal actually. I had been invited to a summit by the Marvel powers-that-be at that time. I didnâ€™t have a Marvel book then and was invited just to contribute ideas. It was a lot of fun, sitting down with Chris Claremont, Kurt Busiek and others, planning the new storylines, and it definitely made me want to get on a book and stay a part of Marvel at that time," the writer said. "To an outsider, at that time Marvel seemed to be a place with two fiefdoms. One was the main Marvel characters and the other was the world of X-Men. The two worlds were really apart with many fans only collecting X-books and the continuity being quite separate from the main Marvel U. to accommodate them. I saw Cable as a character that was lost in his own ever-more convoluted back story, and thought it would be great to have him (very much a lone wolf like Logan) as a crossover character that could operate in both the X-world and the main Marvel worldâ€"a tired old warrior whoâ€™s trying to keep the present day in line and make sense of it for both mutants and humanity."

Robinson said he's returning in part to make up for his abbreviated first run with the character.

"Honestly, leaving Cable when I did was one of the regrets Iâ€™ve had with my career. I was overwhelmed with life outside of comics at that time and so I just felt it was one book too many to write," said Robinson. "My leaving helped Joe Casey get a good footing in the industry, which is a great thing, but part of me has always regretted not muscling through and staying on the book for longer. So, when my friend Mark Paniccia recently got the X-books to oversee, we began talking about something for me to do there. Cableâ€™s name came up and an idea began to form almost immediately. And so here I am."

Cable is expected to debut in spring 2017.

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Jumat, 09 Desember 2016

Here are 5 new nutty promos for Marvel and FXâ€™s X-Men spinoff series Legion

04.30 Bilal Chamdy No comments

"Shall we begin?" In the wake of the release of the new trailer and the reveal of the showâ€™s premiere date, FX has unleashed five new promos for Marvelâ€™s upcoming X-Men spinoff series (itâ€™s complicated),Â Legion. Even tough each promo is rather short; they feature some new material for you to sink your teeth into.

The brainchild of Fargo showrunner Noah Hawley, Legion stars Dan Stevens (of Downton Abbey fame) in the titular role of David Haller, who may be one of the most powerful mutants on Earth (and the son of another powerful mutant: Charles Xavier) and the key in the battle between government forces and mutants.

The series hails from Hawley, Lauren Shuler Donner, Bryan Singer and Simon Kinberg, and is being executive-produced by Jeph Loeb (head of Marvel TV),Â Jim Chory (Agents of S.H.I.E.L.D.) and John Cameron (Fargo) and is produced by FX Productions and Marvel Television. This is the first time that Marvel and the X-Men movie team are working together to produce a live-action series.Â

Along with the new footage, the promos also put the spotlight on the fact that David has been in and out of psychiatric institutions for a good many yearsÂ (as evidencedÂ by Dan Stevensâ€™ two hairstyles in the promos).Â Coming Soon has a super-detailed synopsis for the series, so Iâ€™ve but it under the spoiler tag just in case.

Legion, based on the Marvel Comics by Chris Claremont and Bill Sienkiewicz, is the story of David Haller (Dan Stevens), a troubled young man who may be more than human. Diagnosed as schizophrenic as a child, David has been in and out of psychiatric hospitals for years. Now in his early 30s and institutionalized once again, David loses himself in the rhythm of the structured regimen of life in the hospital: breakfast, lunch, dinner, therapy, medications, sleep. David spends the rest of his time in companionable silence alongside his chatterbox friend Lenny (Aubrey Plaza), a fellow patient whose life-long drug and alcohol addiction has done nothing to quell her boundless optimism that her luck is about to change. The pleasant numbness of Davidâ€™s routine is completely upended with the arrival of a beautiful and troubled new patient named Syd (Rachel Keller). Inexplicably drawn to one another, David and Syd share a startling encounter, after which David must confront the shocking possibility that the voices he hears and the visions he sees may actually be real. A haunted man, David escapes from the hospital and seeks shelter with his sister Amy (Katie Aselton). But Amyâ€™s concern for her brother is trumped by her desire to protect the picture perfect suburban life sheâ€™s built for herself. Eventually, Syd guides David to Melanie Bird (Jean Smart), a nurturing but demanding therapist with a sharp mind and unconventional methods. She and her team of specialists â€" Ptonomy (Jeremie Harris), Kerry (Amber Midthunder) and Cary (Bill Irwin) â€" open Davidâ€™s eyes to an extraordinary new world of possibilities.

Video of Begin | Legion Season 1 Promo | FX

Video of Powerful | Legion Season 1 Promo | FX

Video of Normal | Legion Season 1 Promo | FX

Video of MRI | Legion Season 1 Promo | FX

Video of Feel | Legion Season 1 Promo | FX

Legion will debut on Feb. 8 at 10 p.m. on FX.

(via Coming Soon)

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