R.L. Stine to Write Man-Thing Series for Marvel

Photo

Credit Tyler Crook/Marvel Entertainment

Man-Thing, a swamp monster introduced by Marvel Comics in 1971, will return in a series beginning in March. The horror comics will be written by someone more than familiar with tales of suspense: R. L. Stine, the author of the “Goosebumps” novellas for children.

For Mr. Stine, 73, writing the five-issue series is something of a lifelong dream. “My first ambition was to be a comic book artist,” he said. “I started doing these little comic books in the fourth grade: ‘Super Stooge,’ the dumbest hero on earth.” Though he shared the stories with his classmates, he quickly realized he had no talent for illustration. “I was terrible,” he said. “I had no choice but to be a writer.”

The new Man-Thing series, with covers by Tyler Crook and interior artwork by German Peralta and Daniel Johnson, is inspired by the iconic horror comics of the 1950s like Tales From the Crypt, of which Mr. Stine was a big fan.

“They were scary, really gruesome, bloody comics and they always had a twist ending,” he said. “I think they’ve been a major influence in everything I’ve done since,” he said. This was despite his mother’s efforts, who thought the comics were trash and would not let them in the house. Thankfully, the local barbershop had them. “Every Saturday morning, I’d go get a haircut so I could read the comics,” Mr. Stine recalled.

Marvel offered Mr. Stine several characters, but he quickly settled on Man-Thing because of his fondness for swamp monsters, which have been frequent characters in “Goosebumps” stories. Despite being a horror series â€" aimed at teenagers and older â€" Mr. Stine hopes to bring some comedy.

“I’m going to do a lot of action and a lot of great violence and make it creepy, but I’m going to make it funny at the same time,” he said. “It’s what I try to do in my books.”

In the first story, Man-Thing heads to Burbank, Calif., wondering why he is not starring in a major motion picture. (Comic book purists may balk at one revision to the character: Man-Thing will no longer be mute. “He can talk and he’s very sarcastic,” Mr. Stine noted.)

Each issue will also include a short horror story written by Mr. Stine and drawn by a guest artist.

Continue reading the main story"

| R.L. | Stine | Write | Man-Thing | Series | Marvel | Photo< | span>< | div> Credit< | span> | Tyler | Crook | Entertainment< | span> Man | Thing< | swamp | monster | introduced | Comics | 1971 | will | return | series | beginning | March | horror | comics | written | someone | more | than | familiar | with | tales | suspense: | author | “Goosebumps” | novellas | children | p> For | Stine< | writing | five | issue | something | lifelong | dream | “My | first | ambition | comic | book | artist | said | “I | started | doing | these | little | books | fourth | grade: | ‘Super | Stooge | dumbest | hero | earth | Though | shared | stories | classmates | quickly | realized | talent | illustration | terrible | choice | writer | ”< | p> The | Thing | covers | interior | artwork | German | Peralta | Daniel | Johnson | inspired | iconic | 1950s | like | Tales | From | Crypt | which | p> “They | were | scary | really | gruesome | bloody | they | always | twist | ending | think | they’ve | been | major | influence | everything | I’ve | done | since | This | despite | mother’s | efforts | thought | trash | would | them | house | Thankfully | local | barbershop | “Every | Saturday | morning | I’d | haircut | could | read | recalled | p> Marvel | offered | several | characters | settled | because | fondness | monsters | have | frequent | Despite | being | aimed | teenagers | older | hopes | bring | some | comedy | p> “I’m | going | action | great | violence | make | creepy | I’m | funny | same | time | “It’s | what | p> In | story | heads | Burbank | Calif | wondering | starring | motion | picture | (Comic | purists | balk | revision | character: | longer | mute | “He | talk | he’s | very | sarcastic | noted | p> Each | also | include | short | drawn | guest | p> Continue | reading | main | story< |

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BATMAN & MARVEL Rule Surprisingly Down NOVEMBER 2016 Comic Book Sales

By Michael Doran December 9, 2016 07:34am ET

Credit: DC Comics

The Dark Knight ruled the top of the comic book sales chart and Marvel's "Marvel NOW!" once again has them on top of the market share categories, but despite having five sales weeks compared to 2015's four, November sales were down against last year, but it still looks like 2016 will eek out a narrow gain over 2015 when December's sales are tallied. 

Credit: DC Comics

According to sales figures released by Diamond Comic Distributors Friday morning, Bane's return helped Batman #10 and #11 top the November comic book sales charts, in a top 10 also featuring All-Star Batman #4 (4) and Batman Annual #1 (7). Marvel's Civil War II #7 (3) was there bestselling title. 

Credit: Cliff Chiang (Image Comics)

Brian K. Vaughan and Cliff Chiang's Paper Girls Volume 2 from Image Comics was November's best-selling graphic novel. 

Despite DC dominating the top of the comic book chart and perhaps aided by six entries in the graphic novel top 10, Marvel is once again the market hate leaders after ceding the position to DC for a few months during the initial months of "Rebirth."

Their 38.08% dollar share and 39.46% unit share easily topped DC's 26.17% dollar share and 31.30% unit share. 

But despite the advantage of having an extra week, November sales lagged behind sales one year ago by 4.25%. Graphic novel sales were up versus last year a robust 21.56%, but a 12.71% deficit in comic book sales wound up pulling the month into negative territory.

November 2015 featured the strong debuts of DC’s Dark Knight III: The Master Race #1 and Marvel’s Star Wars: Vader Down #1 (over 820k copies between them) so while surprising, it may simply be a matter of circumstance and not a trend.

But you can always find more insight at our friends at Comichron. 

Year-to-date 2016 still leads 2015 by 1.82% in overall sales, so it still looks like the year will likely finish up for the sixth consecutive year.

The November 2016 Market Share, Comparative Sales Data, and New Titles Shipped charts, along with Top 10 Comic Books and Top 10 Graphic Novels charts follow below.

TOP COMIC BOOK PUBLISHERS

RETAIL MARKET SHARE PUBLISHER SHARE MARVEL COMICS 38.08% DC ENTERTAINMENT 26.17% IMAGE COMICS 8.99% IDW PUBLISHING 5.23% DARK HORSE COMICS 3.65% BOOM! STUDIOS 1.98% TITAN COMICS 1.61% VIZ MEDIA 1.52% DYNAMITE ENTERTAINMENT 1.40% ARCHIE COMIC PUBLICATIONS 1.01% OTHER NON-TOP 10 10.38%

UNIT MARKET SHARE PUBLISHER SHARE MARVEL COMICS 39.46% DC ENTERTAINMENT 31.30% IMAGE COMICS 9.06% IDW PUBLISHING 4.59% DARK HORSE COMICS 2.85% BOOM! STUDIOS 1.66% TITAN COMICS 1.30% DYNAMITE ENTERTAINMENT 1.23% VALIANT ENTERTAINMENT LLC 1.15% ARCHIE COMIC PUBLICATIONS 1.06% OTHER NON-TOP 10 6.34%

COMPARATIVE SALES STATISTICS

	DOLLARS	UNITS
NOVEMBER 2016 VS. OCTOBER 2016
COMICS	-10.33%	-13.26%
GRAPHIC NOVELS	19.48%	18.91%
TOTAL COMICS/GN	-2.72%	-11.35%
TOYS	28.48%	53.60%
NOVEMBER 2016 VS. NOVEMBER 2015
COMICS	-12.71%	-6.09%
GRAPHIC NOVELS	21.56%	25.78%
TOTAL COMICS/GN	-4.25%	-4.15%
TOYS	-9.53%	-12.99%
YEAR-TO-DATE 2016 VS. YEAR-TO-DATE 2015
COMICS	1.85%	1.97%
GRAPHIC NOVELS	1.74%	0.77%
TOTAL COMICS/GN	1.82%	1.87%
TOYS	-5.60%	-8.56%

NEW TITLES SHIPPED

PUBLISHER	COMICS SHIPPED	GRAPHIC NOVELS SHIPPED	MAGAZINES SHIPPED	TOTAL SHIPPED
MARVEL COMICS	88	44	0	132
DC ENTERTAINMENT	84	35	0	119
IDW PUBLISHING	46	25	0	71
IMAGE COMICS	50	9	1	60
DARK HORSE COMICS	28	26	0	54
VIZ MEDIA	0	45	0	45
TITAN COMICS	23	18	2	43
BOOM ENTERTAINMENT	23	8	0	31
DYNAMITE ENTERTAINMENT	25	5	0	30
ARCHIE COMIC PUBLICATIONS	15	4	0	19
OTHER NON-TOP 10	136	217	30	383

TOP 10 COMIC BOOKS

RANK	DESCRIPTION	PRICE	VENDOR
1	BATMAN #10	$2.99	DC
2	BATMAN #11	$2.99	DC
3	CIVIL WAR II #7	$4.99	MAR
4	ALL STAR BATMAN #4	$4.99	DC
5	INVINCIBLE IRON MAN #1	$3.99	MAR
6	AMAZING SPIDER-MAN: RENEW YOUR VOWS #1	$4.99	MAR
7	BATMAN ANNUAL #1	$4.99	DC
8	VENOM #1	$3.99	MAR
9	THE WALKING DEAD #160 (MR)	$2.99	IMA
10	IVX #0	$4.99	MAR

TOP 10 GRAPHIC NOVELS & TRADE PAPERBACKS

RANK	DESCRIPTION	PRICE	VENDOR
1	PAPER GIRLS VOLUME 2 TP	$12.99	IMA
2	MARVEL: THE HIP-HOP COVERS VOLUME 1 HC	$34.99	MAR
3	DC SUPER HERO GIRLS VOL. 2: HITS AND MYTHS TP	$9.99	DC
4	STAR WARS: DARTH VADER VOL. 4: END OF GAMES TP	$19.99	MAR
5	UNBELIEVABLE GWENPOOL VOL. 1: BELIEVE IT TP	$16.99	MAR
6	SANDMAN OVERTURE TP (MR)	$19.99	DC
7	DC UNIVERSE: REBIRTH DELUXE EDITION HC	$17.99	DC
8	VISION VOL. 2: LITTLE BETTER THAN BEAST TP	$17.99	MAR
9	MOON KNIGHT VOLUME 1: LUNATIC TP	$15.99	MAR
10	DEADPOOL V. GAMBIT: V IS FOR VS TP	$16.99	MAR

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Marvel’s First Phase IV Film Will Be A SPIDER-MAN: HOMECOMING Sequel

Web-head bumps Bad Boys 4’s July 2019 release date.

By Siddhant Adlakha Dec. 10, 2016

Spider-Man coming back to Marvel was a pretty big deal. His appearance in Captain America: Civil War was a big deal, and the arrival of the trailer for his first solo Marvel outing is a big deal as well, and following the mostly positive reactions, the good folks at Sony (with the help of Marvel Studios) are looking to bring Spidey back to the big screen on July 3^rd, 2019. Despite all the reboot exhaustion and the past decade’s unsuccessful entries, people still get excited for one of the most popular superheroes of all time. They want to see him done right, and Spider-Man: Homecoming feels like a good place to start. 

In related news, The Hollywood Reporter name-drops Bad Boys 4 in its report, citing the Spider-Man sequel’s release date as reason for Sony moving the Lawrence/Smith action caper back a few weeks to May 2019. The Joe Carnahan-helmed Bad Boys 3 a.k.a. Bad Boys For Life is set to release January 2018, in case you’re looking to update your sequel calendar, but the most interesting thing in all this as that Marvel's first outing after its massive Thanos-centric Avengers finale will be relatively small and intimate. Colour me excited. 

Tom Holland has a six-picture deal to play Spider-Man. Three of those appearances are set to be solo movies, so if all goes well, we can expect him to have a third film around 2021 before potentially passing down the mantle. It’s unknown whether Peter Parker will appear in 2018’s Avengers: Infinity War (or its yet untitled 2019 sequel), but we’ll keep our eyes peeled and let you know as soon as something tingles our Spider-senses.

Spider-Man: Homecoming swings into theatres July 7^th, 2017.

"

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‘Marvel’s Agents of S.H.I.E.L.D.’ Midseason Finale Recap: Ashes to Ashes

Henry Simmons as Alphonso “Mack” MacKenzie and Natalia Cordova-Buckley as Yo-Yo Rodriguez. Jennifer Clasen/ABC

Even though this is the second episode after a month-long break, Agents of S.H.I.E.L.D. is having a midseason finale because momentum isn’t something they care about apparently. Last week was about getting the agents back from the ghost dimension so they can take on Eli Morrow and this week we finally get to the climax they have been building to.

So what’s Eli doing? Well, he’s making a big, weird, glowing chamber but turns out his hired help hasn’t actually seen any money and the cops and S.H.I.E.L.D. are outside and they are starting to have some doubts in leadership. Eli quickly puts those fears to rest by paying the men by creating diamonds inside the lungs of one of the complaining members and tells the other men to cut him open if they want more. Pretty dope power move.

News crews are outside of the building where Eli is executing his master plan and Director Mace is trying his best to keep the situation under control. Coulson suggests using Daisy, Yo-Yo and Robbie to stop Eli but Mace is less than enthusiastic about the idea of using a still-wanted terrorist and a demon serial killer. Coulson reminds Mace that Robbie is unstoppable and is on their side and that they need all the help that they can get. No matter how many episodes we go through, people just can’t remember that Robbie is the only one that has managed to stop any of the Darkhold-related stuff. Coulson also believes that Aida can be of some assistance prompting him to reveal that she is an android. Despite Mace’s shock that people haven’t seemed to learn anything since Ultron (as well as revealing a slight attraction to her), Mace agrees to let Aida join the mission as long as she’s dismantled after.

With the go ahead from the director, Daisy, Yo-Yo, and Robbie are ready to storm the building. Yo-Yo runs in to do some reconnaissance only to trigger an explosion and gets hit from the blast. It turns out Eli created Caesium (which is apparently the most active metal on Earth according to Google) and Fitz realizes he’s testing the limits of his powers. Fortunately fire doesn’t scare Robbie at all and he heads on into the building. He takes out a few goons and finds the chamber Eli has created. It’s a quantum battery, similar to the one that was in the lab that first gave Eli his powers but this is on a bigger scale. Fitz has seen the set up before and realizes it’s called the Demon Core (because of course it is) and that it’s basically a fail-safe. If something messes with it, it activates the plutonium within (which Eli made from scratch) and everything goes boom. But before Robbie can do anything about it, he confronts his uncle and blames him for everything only to get stabbed by some carbon spikes preventing him from transforming. He is also facing radiation from the quantum energy in the chamber and Eli realizes the prison rumors of Ghost Rider were true and realizes it’s been his nephew this whole time.

Elizabeth Henstridge as Jenna Simmons and Iain de Caestecker as Leo Fitz. Jennifer Clasen/ABC

The agents still don’t have much of a plan. Yo-Yo is patched up from the blast and Mace wants her back in the fight as soon as possible only to get in an argument with a very heated Mack. Yo-To and Mack are still having their little lovers quarrel. Daisy has been feeling an increasing amount of seismic activity that Fitz is looking into and the lack of trust towards Mace finally reaches a tipping point as both Coulson and Daisy confront Mace about his dealings with Senator Nadeer. Turns out it’s all pretty simple, he gave Nadder Jemma to examine the Inhuman just so Nadeer wouldn’t release the photos of Daisy and Robbie during the prison incident â€" Nothing too sinister. Mace does however show a glimpse of uncertainty, which is something we don’t see often from his confident demeanor. He doesn’t believe they are a team, but Coulson is determined to prove just how great of a team they can be.

Back in the building, Eli is creating water now; elemental compounds that he says are the first step to being able to create life. Coulson appears at gunpoint with some of the thugs and delivers a beautiful line that Eli should “get a girlfriend first.” He might be held prisoner but he did bring a chain (!) so fingers crossed Ghost Rider will be able to use it. Underneath them however, the rest of the agents are putting their plan into action. Now it was tough for me to keep up with this logic here. I had to rewind five times just to see if I understood the plan. See, Fitz believes Eli isn’t creating matter from nothing. According to the law of conservation of energy, energy can neither be created nor destroyed. And even though Eli is power hungry, he doesn’t realize the matter is coming from the quantum energy from the other planes of existence. As he steals more energy, the tremors get worse. To stop Eli, Aida is going to rebuild the gateway to try and get rid of the potentially explosive quantum chamber. The process requires Daisy to control the building tremors and to keep Eli and his goons from killing all of them. There are some small moments where Aida is watching the agents in almost a studious way and I feel like it’s important to point it out and remember for later.

Eli reveals the Darkhold told him he can create life after death and Coulson realizes the chamber isn’t a failsafe but an actual bomb Eli intends to use. Acting fast, the agents move in with May and Mack taking out some of Eli’s gang and Yo-Yo doing a super cool slow motion run through the room. Even Mace is suited up in an armor suit of sorts and is tossing people around. Downstairs the agents are dealing with their own firefight as a gang member shoots Aida. Coulson tosses the chain to Robbie who turns into Ghost Rider and tries to pull himself away from the spikes sticking through him but instead lets go of the chain and chooses to burn up Eli instead. And in that moment the fail-safe goes off and the explosion happens only for the chamber to disappear thanks to the gateway.

Ming-Na Wen as Melinda May. Jennifer Clasen/ABC

Although Aida is bleeding out on the floor, she reveals she was programmed to react to pain just like a human would to better help her fit in as an actual target on missions. She’ll be fine, but that doesn’t mean she enjoys the process. Daisy is struggling after absorbing all the quakes and has to step outside quickly. She runs out and blasts herself into the sky and ends up landing right in the center of all of the news teams who quickly identify her as Quake. Mace steps in right on time to say she was the one that saved everyone and even calls her Agent Johnson.

Later, she mentions to Coulson how Robbie’s car should go to Gabe but Coulson doesn’t believe she should lose hope yet. He even mentions that the last Ghost Rider came back which could be a reference to the Johnny Blaze version we possibly saw in the flashback episode. It also could mean S.H.I.E.L.D. knew about Ghost Rider way before Robbie. All he says is it’s a long story, which means we might never get an answer.

Daisy is asked if she wants to be an agent again and she says there are definitely parts she misses and is also happy the new face of S.H.I.E.L.D. is an Inhuman. Turns out, Coulson actually wanted her to be the new face but Daisy only says, “maybe in the comic book version.” Beautiful. Also Mack and Yo-Yo kiss, so, yay. They can stop fighting, Daisy can stop whining, and everything should be good right? WRONG! Mace approves Radcliffe to work on the LMD program at S.H.I.E.L.D. and that means bringing his research over here. Agent Nathanson is the lucky guy that gets to go do that. And you don’t have to remember that name because as he is packing all of Radcliffe’s things up, he stumbles upon something shocking in a closet. So shocking that Aida shows up and snaps his neck after seeing it! What is it? Turns out it’s an unconscious May covered in blood. Wait? But if May is there, who is having a drink with Coulson at the end of the episode?! Is this May a robot? Is that why Aida is so keen on watching people? Is she learning from them so she can make copies of the agents? If you can’t wait for 2018 for the second season of Westworld, I would suggest coming back to Agents of S.H.I.E.L.D. in January for all of your robotic nightmares. Until 2017, True Believers!

"

| ‘Marvel’s | Agents | S.H.I.E.L.D.’ | Midseason | Finale | Recap: | Ashes | p> Henry | Simmons | Alphonso | “Mack” | MacKenzie | Natalia | Cordova | Buckley | Rodriguez | Jennifer | Clasen | ABC< | span>< | p> < | div> Even | though | this | second | episode | after | month | long | break | having | midseason | finale | because | momentum | isn’t | something | they | care | about | apparently | Last | week< | getting | agents | back | from | ghost | dimension | take | Morrow | week | finally | climax | have | been | building | p> So | what’s | doing | Well | he’s | making | weird | glowing | chamber | turns | hired | help | hasn’t | actually | seen | money | cops | outside | starting | some | doubts | leadership | quickly | puts | those | fears | rest | paying | creating | diamonds | inside | lungs | complaining | members | tells | other | open | want | more | Pretty | dope | power | move | p> News | crews | where | executing | master | plan | Director | Mace | trying | best | keep | situation | under | control | Coulson | suggests | using | Daisy | Robbie | stop | less | than | enthusiastic | idea | still | wanted | terrorist | demon | serial | killer | reminds | that | unstoppable | their | side | need | matter | many | episodes | through | people | just | can’t | remember | only | managed | Darkhold | related | stuff | also | believes | Aida | assistance | prompting | reveal | android | Despite | Mace’s | shock | haven’t | seemed | learn | anything | since | Ultron | well | revealing | slight | attraction | her) | agrees | join | mission | she’s | dismantled | p> With | ahead | director | ready | storm | runs | reconnaissance | trigger | explosion | gets | blast | created | Caesium | (which | most | active | metal | Earth | according | Google) | Fitz | realizes | testing | limits | powers | Fortunately | fire | doesn’t | scare | heads | into | takes | goons | finds | It’s | quantum | battery | similar | first | gave | bigger | scale | before | it’s | called | Demon | Core | (because | course | basically | fail | safe | messes | with | activates | plutonium | within | made | scratch) | everything | goes | boom | confronts | uncle | blames | stabbed | carbon | spikes | preventing | transforming | facing | radiation | energy | prison | rumors | Ghost | Rider | were | true | nephew | whole | time | p> < | p> Elizabeth | Henstridge | Jenna | Iain | Caestecker | div> The | don’t | much | patched | wants | fight | soon | possible | argument | very | heated | Mack | little | lovers | quarrel | feeling | increasing | amount | seismic | activity | looking | lack | trust | towards | reaches | tipping | point | both | confront | dealings | Senator | Nadeer | Turns | pretty | simple | Nadder | Jemma | examine | Inhuman | wouldn’t | release | photos | during | incident | Nothing | sinister | does | however | show | glimpse | uncertainty | which | often | confident | demeanor | believe | team | determined | prove | great | p> Back | water | now; | elemental | compounds | says | step | being | able | create | life | appears | gunpoint | thugs | delivers | beautiful | line | should | “get | girlfriend | might | held | prisoner | bring | chain | fingers | crossed | will | Underneath | them | putting | action | tough | logic | here | rewind | five | times | understood | nothing | According | conservation | neither | destroyed | even | hungry | realize | coming | planes | existence | steals | tremors | worse | going | rebuild | gateway | potentially | explosive | process | requires | killing | There | small | moments | watching | almost | studious | feel | like | important | later | p> Eli | reveals | told | death | failsafe | actual | bomb | intends | Acting | fast | taking | Eli’s | gang | super | cool | slow | motion | room | Even | suited | armor | suit | sorts | tossing | around | Downstairs | dealing | firefight | member | shoots | tosses | tries | pull | himself | away | sticking | instead | lets | chooses | burn | moment | happens | disappear | thanks | p> Ming | Melinda | div> Although | bleeding | floor | programmed | react | pain | human | would | better | target | missions | She’ll | fine | mean | enjoys | struggling | absorbing | quakes | blasts | herself | ends | landing | right | center | news | teams | identify | Quake | steps | saved | everyone | calls | Agent | Johnson | p> Later | mentions | Robbie’s | Gabe | lose | hope | last | came | could | reference | Johnny | Blaze | version | possibly | flashback | knew | story | means | never | answer | p> Daisy | asked | agent | again | there | definitely | parts | misses | happy | face | “maybe | comic | book | Beautiful | Also | kiss | They | fighting | whining | good | WRONG! | approves | Radcliffe | work | program | bringing | research | over | Nathanson | lucky | name | packing | Radcliffe’s | things | stumbles | upon | shocking | closet | shows | snaps | neck | seeing | What | unconscious | covered | blood | Wait | drink | robot | keen | learning | make | copies | wait | 2018 | season | Westworld< | suggest | January | your | robotic | nightmares | Until | 2017 | True | Believers!< | p> |

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“Rectify” Is a Quiet Marvel

> Daniel was convicted of a brutal but ambiguous crime. Now that he’s out of prison, everyone wants clarity. Credit Illustration by Tomer Hanuka In the first episode of “Rectify,” Daniel Holden (Aden Young) is released from death row, and he gives a speech to journalists and protesters gathered outside the prison. Rather than assert his innocence or talk about justice, he offers a zigzagging meditation on the nature of fatalism. “I had convinced myself that kind of optimism served no useful purpose in the world where I existed,” he explains, in an underwater monotone, as the protesters look on, baffled. “Obviously, this radical belief system was flawed and was, ironically, a kind of fantasy itself.” Humbly, as if ending a philosophy seminar, he concludes, “I will seriously need to reconsider my world view.” For three years, “Rectify” has been a small marvel, an eccentric independent drama, filmed in Griffin, Georgia, and airing off the beaten track as well, on Sundance. With its skewed insights into carceral cruelty, “Rectify” took the slot that “The Wire” used to occupy: it’s the smart crime drama whose fans have trouble persuading others to watch, because it sounds too grimâ€"or maybe too good for you. It’s a frustrating dynamic that has haunted other dramas without cowboys or zombiesâ€"“The Leftovers” and “The Americans” come to mindâ€"but “Rectify” ’s reputation for difficulty is misleading. The show’s dreamy pace makes it a satisfying high, like a bourbon-soaked bob down a river on a humid day. It’s a show about the way that time gets distorted; it’s one that distorts time, too. As with many structurally daring series, it’s joyful, because its insides match its outsides. It’s also, more straightforwardly, a gothic mystery about small-town secrets. When Daniel was in his late teens, he was convicted of the rape and murder of his sixteen-year-old girlfriend, Hanna. He served nineteen years, most of them in solitary confinement. The crime itself was a foggy, ambiguous incident that involved psychedelic drugs; two boys testified against him, and, under pressure, Daniel confessed. DNA cleared him of the rape but not of the murder, so plenty of localsâ€"and, at times, Daniel himselfâ€"suspect that he did it, because he was found cradling Hanna’s naked corpse, which he’d decorated with flowers. But Daniel’s younger sister, Amantha (Abigail Spencer), never lost faith in his innocence, and she’s been sleeping with the liberal Jewish lawyer she lobbied to work on his behalfâ€"the big-city Reuben to her Norma Rae. Everyone involved wants clarity, now that Amantha’s faith has paid off. No one gets it. The murder case is reopened and leads down alarming paths. Few people want to face the uglier facts, including the knowledge that Daniel was raped in prison, multiple times. While he was on death row, his father died and his mother remarried, so he has two new stepbrothers, Ted, Jr., and Jared, who is still in his teens. In some ways, Daniel is himself an adolescent, prone to self-indulgent, self-destructive whims. In isolated Paulie, Georgia, he’s a distinctly odd figure, a socially awkward autodidact who meditated and read obsessively in his cell. He speaks in an off-kilter, whispery style, making even sympathetic neighbors uncomfortable. His mannered intellectualism marks him as an outsider, queer in several senses, as much as any suspicions of criminal guilt do. The one person who truly gets him is Ted, Jr.,’s wife, Tawney, a sweet born-again Christian who is desperate to save Daniel, and with whom he develops a dangerous chemistry. Their flirtation takes place, however, largely through elevated conversation about Thomas Aquinas and Buddha, forgiveness and humility. And, in fact, a lot of the pleasure of the show is in the dialogue, which favors the stuff that Daniel jokes is not “gallows humor” but “lethal-injection humorâ€"it’s more humane but less funny.” “It felt good to use the telephone that wasn’t smarter than me,” Daniel tells his sister, about a pay phone. His companion on a road trip tells him, “Everything that happens between men and women is written in mud. And butter. And barbecue sauce. Paula Deen said that to me in a dream I had one time.” Ted, Jr.,’s boozy koan: “First you hate it. Then you like it. It’s called beer.” While the talk takes its time, the plot moves fast. The first season covers six days in six episodes, and climaxes in two crimes, one committed by Daniel, one against him; by the fourth and final season, currently airing, only a few months have passed. Several of the best episodes are one-offs, featuring characters we never meet again. In one, Daniel drifts into the orbit of an antique dealer named Lezlie, a Pan-like anarchist, who invites anyone who is not a gentrifying yuppieâ€"the class he regards as ruining Paulieâ€"to party at his ramshackle house. In another, Daniel gets a ride from a stranger and steals some goats. There’s a strong sense in “Rectify” that, when your memory has been rendered spongy and your safety shattered, each event might last forever or be gone in a flash. Perhaps the standout episode is “Donald the Normal,” from Season 2. In it, Daniel finally leaves town. He takes a bus to Atlanta, then puts on nice clothes and goes to a museum to see a beautiful painting that he knows only from a book. Throughout “Rectify,” the claustrophobically close-knit Paulieâ€"where the local waitress sleeps with both Daniel and the politician who framed him, and where Hanna’s brother glares at Daniel’s family in the supermarketâ€"is portrayed as near-enchanted in its isolation. Any mention of a larger Southern city (even from the former Atlantan Amantha, who has a liberal hipster’s condescension for her home town) makes it sound as distant as Mars. At the museum, Daniel is approached by an attractive older woman, played by Frances Fisher. “What do you think?” she asks. “I think I’ve looked at this painting in a book for so long that somehow my brain has trivialized it,” he says. “And as I stand here in front of the real thing I feel, if anything . . . disappointed.” She’s charmed by the alien quality that others find so creepyâ€"his formal speech, his lack of boundaries. She invites him to lunch with her book-club friends. These are sleek, rich city women. He tells them that his name is Donald and that he owns a bookstore in Alabama. This experiment in reinvention falls apart fast. Daniel has cuts on his forehead and cheeks, the remnants of a beating that put him in a coma. And, bright as he is, he can’t improvise a life he never had. He finds himself faking a conversation about a book he hasn’t read, something with a “pitiful” protagonist. “This bread, um, is excellent,” he says, trying to change the subject. “The panini bread?” one of the women asks. “Yes, um, the pallini bread,” he responds. “It’s . . . unusually fresh.” It’s a heartbreaking slip, a class error that locks him out of a whole world. The book-club women get into a conversation about a story that Daniel >has read, Tobias Wolff’s “Bullet in the Brain,” and which he’s memorized. His lunch companion can’t believe it: “It would be torture to memorize.” No, he explains: it was a calming task, back during “a period in my life when I was having some difficulty dealing with the passing of time in a traditional sense.” Because Wolff’s story deals “with the bending of time,” memorizing it helped him bend time as well. References like this get at the show’s fearlessness in taking art seriously, not merely as a distraction but as a bridge between strangers, a way of reframing the world. Still, it would be an exercise in solipsism without the larger, more grounded ensemble, particularly Daniel’s opposite number, Ted, Jr., who becomes both his bully and his victim. As played by Clayne Crawford, Ted is a strutting, insecure shit-kicker, a high-school tough kid gone to seed. A salesman at the family car dealership, he’s the yuppie type Lezlie disdains, or, at least, he aspires to be: he and Tawney share a McMansion decorated in pastels. When the bank won’t give him a loan for a sketchy scheme involving leasing auto rims to black customers, he mortgages the house, despite Tawney’s resistance. When things fall apart, he gets scary. In another story, Ted might be a cartoon villain: the abusive husband who, at one point, confesses to something so close to date rape that it’s a distinction without a difference. (Crimes on “Rectify” are like that: violence so ordinary that no one reports itâ€"and, when someone does, the justice system makes it worse.) But the show sees Ted’s side, too. Like Daniel, he is a man humiliated by loss of control, with few coping skills when he’s been abandoned. In “Rectify,” anyone who feels something for others, however painful, must be redeemable. In the final season, Tawney and Ted, Jr., go to therapy, heading toward divorce. Daniel, who has been legally “banished” to Nashville, lives at a halfway house and gets an artist girlfriend. The crime is on the verge of being solved. If “Rectify” has a flaw, it’s one that so many humane shows develop in their final stretchâ€"a Tawney-like desire to save everyone, simply because these are characters we’ve loved for years. In one scene, Amantha, recognizing that an old enemy is helping solve the mystery of Hanna’s murder, asks, “Is there anyone left to hate?” Daniel wryly refers to himself as Humpty-Dumpty, but he’s often more like Kimmy Schmidt: he’s strange not because his capacity for wonder has been shut down but because it’s almost too open. As the finale approaches, it’s not the show’s problem that I’ve found myself wanting some ugly to stay ugly. Perhaps I will seriously need to reconsider my world view. >♦ "

| “Rectify” | Quiet | Marvel |

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