“Rectify” Is a Quiet Marvel

> Daniel was convicted of a brutal but ambiguous crime. Now that he’s out of prison, everyone wants clarity. Credit Illustration by Tomer Hanuka In the first episode of “Rectify,” Daniel Holden (Aden Young) is released from death row, and he gives a speech to journalists and protesters gathered outside the prison. Rather than assert his innocence or talk about justice, he offers a zigzagging meditation on the nature of fatalism. “I had convinced myself that kind of optimism served no useful purpose in the world where I existed,” he explains, in an underwater monotone, as the protesters look on, baffled. “Obviously, this radical belief system was flawed and was, ironically, a kind of fantasy itself.” Humbly, as if ending a philosophy seminar, he concludes, “I will seriously need to reconsider my world view.” For three years, “Rectify” has been a small marvel, an eccentric independent drama, filmed in Griffin, Georgia, and airing off the beaten track as well, on Sundance. With its skewed insights into carceral cruelty, “Rectify” took the slot that “The Wire” used to occupy: it’s the smart crime drama whose fans have trouble persuading others to watch, because it sounds too grimâ€"or maybe too good for you. It’s a frustrating dynamic that has haunted other dramas without cowboys or zombiesâ€"“The Leftovers” and “The Americans” come to mindâ€"but “Rectify” ’s reputation for difficulty is misleading. The show’s dreamy pace makes it a satisfying high, like a bourbon-soaked bob down a river on a humid day. It’s a show about the way that time gets distorted; it’s one that distorts time, too. As with many structurally daring series, it’s joyful, because its insides match its outsides. It’s also, more straightforwardly, a gothic mystery about small-town secrets. When Daniel was in his late teens, he was convicted of the rape and murder of his sixteen-year-old girlfriend, Hanna. He served nineteen years, most of them in solitary confinement. The crime itself was a foggy, ambiguous incident that involved psychedelic drugs; two boys testified against him, and, under pressure, Daniel confessed. DNA cleared him of the rape but not of the murder, so plenty of localsâ€"and, at times, Daniel himselfâ€"suspect that he did it, because he was found cradling Hanna’s naked corpse, which he’d decorated with flowers. But Daniel’s younger sister, Amantha (Abigail Spencer), never lost faith in his innocence, and she’s been sleeping with the liberal Jewish lawyer she lobbied to work on his behalfâ€"the big-city Reuben to her Norma Rae. Everyone involved wants clarity, now that Amantha’s faith has paid off. No one gets it. The murder case is reopened and leads down alarming paths. Few people want to face the uglier facts, including the knowledge that Daniel was raped in prison, multiple times. While he was on death row, his father died and his mother remarried, so he has two new stepbrothers, Ted, Jr., and Jared, who is still in his teens. In some ways, Daniel is himself an adolescent, prone to self-indulgent, self-destructive whims. In isolated Paulie, Georgia, he’s a distinctly odd figure, a socially awkward autodidact who meditated and read obsessively in his cell. He speaks in an off-kilter, whispery style, making even sympathetic neighbors uncomfortable. His mannered intellectualism marks him as an outsider, queer in several senses, as much as any suspicions of criminal guilt do. The one person who truly gets him is Ted, Jr.,’s wife, Tawney, a sweet born-again Christian who is desperate to save Daniel, and with whom he develops a dangerous chemistry. Their flirtation takes place, however, largely through elevated conversation about Thomas Aquinas and Buddha, forgiveness and humility. And, in fact, a lot of the pleasure of the show is in the dialogue, which favors the stuff that Daniel jokes is not “gallows humor” but “lethal-injection humorâ€"it’s more humane but less funny.” “It felt good to use the telephone that wasn’t smarter than me,” Daniel tells his sister, about a pay phone. His companion on a road trip tells him, “Everything that happens between men and women is written in mud. And butter. And barbecue sauce. Paula Deen said that to me in a dream I had one time.” Ted, Jr.,’s boozy koan: “First you hate it. Then you like it. It’s called beer.” While the talk takes its time, the plot moves fast. The first season covers six days in six episodes, and climaxes in two crimes, one committed by Daniel, one against him; by the fourth and final season, currently airing, only a few months have passed. Several of the best episodes are one-offs, featuring characters we never meet again. In one, Daniel drifts into the orbit of an antique dealer named Lezlie, a Pan-like anarchist, who invites anyone who is not a gentrifying yuppieâ€"the class he regards as ruining Paulieâ€"to party at his ramshackle house. In another, Daniel gets a ride from a stranger and steals some goats. There’s a strong sense in “Rectify” that, when your memory has been rendered spongy and your safety shattered, each event might last forever or be gone in a flash. Perhaps the standout episode is “Donald the Normal,” from Season 2. In it, Daniel finally leaves town. He takes a bus to Atlanta, then puts on nice clothes and goes to a museum to see a beautiful painting that he knows only from a book. Throughout “Rectify,” the claustrophobically close-knit Paulieâ€"where the local waitress sleeps with both Daniel and the politician who framed him, and where Hanna’s brother glares at Daniel’s family in the supermarketâ€"is portrayed as near-enchanted in its isolation. Any mention of a larger Southern city (even from the former Atlantan Amantha, who has a liberal hipster’s condescension for her home town) makes it sound as distant as Mars. At the museum, Daniel is approached by an attractive older woman, played by Frances Fisher. “What do you think?” she asks. “I think I’ve looked at this painting in a book for so long that somehow my brain has trivialized it,” he says. “And as I stand here in front of the real thing I feel, if anything . . . disappointed.” She’s charmed by the alien quality that others find so creepyâ€"his formal speech, his lack of boundaries. She invites him to lunch with her book-club friends. These are sleek, rich city women. He tells them that his name is Donald and that he owns a bookstore in Alabama. This experiment in reinvention falls apart fast. Daniel has cuts on his forehead and cheeks, the remnants of a beating that put him in a coma. And, bright as he is, he can’t improvise a life he never had. He finds himself faking a conversation about a book he hasn’t read, something with a “pitiful” protagonist. “This bread, um, is excellent,” he says, trying to change the subject. “The panini bread?” one of the women asks. “Yes, um, the pallini bread,” he responds. “It’s . . . unusually fresh.” It’s a heartbreaking slip, a class error that locks him out of a whole world. The book-club women get into a conversation about a story that Daniel >has read, Tobias Wolff’s “Bullet in the Brain,” and which he’s memorized. His lunch companion can’t believe it: “It would be torture to memorize.” No, he explains: it was a calming task, back during “a period in my life when I was having some difficulty dealing with the passing of time in a traditional sense.” Because Wolff’s story deals “with the bending of time,” memorizing it helped him bend time as well. References like this get at the show’s fearlessness in taking art seriously, not merely as a distraction but as a bridge between strangers, a way of reframing the world. Still, it would be an exercise in solipsism without the larger, more grounded ensemble, particularly Daniel’s opposite number, Ted, Jr., who becomes both his bully and his victim. As played by Clayne Crawford, Ted is a strutting, insecure shit-kicker, a high-school tough kid gone to seed. A salesman at the family car dealership, he’s the yuppie type Lezlie disdains, or, at least, he aspires to be: he and Tawney share a McMansion decorated in pastels. When the bank won’t give him a loan for a sketchy scheme involving leasing auto rims to black customers, he mortgages the house, despite Tawney’s resistance. When things fall apart, he gets scary. In another story, Ted might be a cartoon villain: the abusive husband who, at one point, confesses to something so close to date rape that it’s a distinction without a difference. (Crimes on “Rectify” are like that: violence so ordinary that no one reports itâ€"and, when someone does, the justice system makes it worse.) But the show sees Ted’s side, too. Like Daniel, he is a man humiliated by loss of control, with few coping skills when he’s been abandoned. In “Rectify,” anyone who feels something for others, however painful, must be redeemable. In the final season, Tawney and Ted, Jr., go to therapy, heading toward divorce. Daniel, who has been legally “banished” to Nashville, lives at a halfway house and gets an artist girlfriend. The crime is on the verge of being solved. If “Rectify” has a flaw, it’s one that so many humane shows develop in their final stretchâ€"a Tawney-like desire to save everyone, simply because these are characters we’ve loved for years. In one scene, Amantha, recognizing that an old enemy is helping solve the mystery of Hanna’s murder, asks, “Is there anyone left to hate?” Daniel wryly refers to himself as Humpty-Dumpty, but he’s often more like Kimmy Schmidt: he’s strange not because his capacity for wonder has been shut down but because it’s almost too open. As the finale approaches, it’s not the show’s problem that I’ve found myself wanting some ugly to stay ugly. Perhaps I will seriously need to reconsider my world view. >♦ "

| “Rectify” | Quiet | Marvel |

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'Agents of SHIELD: Slingshot' is a Marvel-ous online spin-off

Natalia Cordova-Buckley is Elena "Yo-Yo" Rodriguez AKA Slingshot.

Photo by ABC

A spin-off from "Agents of SHIELD" is shooting onto the Web. "Slingshot" will debut as online mini-episodes featuring several characters from ABC's show based on Marvel comics.

Natalia Cordova-Buckley takes the lead as Elena "Yo-Yo" Rodriguez, a super-speedy Inhuman who comes into conflict with SHIELD in the spin-off. It's set shortly before the beginning of series four of "Agents of SHIELD", which just finished airing. Daisy Johnson and Agents Coulson, Mack, May, Fitz and Simmons will cross over from the main show to make appearances.

Each episode will be between 3 and 6 minutes long and will appear on ABC.go.com, Marvel.com and ABC's mobile app. The series launches on 13 December.

"Slingshot" will be the first spin-off from "Agents of SHIELD" after broadcaster ABC opted not to go ahead with a long-mooted spin-off called "Marvel's Most Wanted". ABC has however said yes to a show about the Inhumans, a race of superbeings that have already appeared in "SHIELD". The show will debut in September 2017 in Imax movie theatres and on TV.

Yo-Yo Rodriguez first appeared in comics in 2008, created by writer Brian Michael Bendis and artist Alex Maleev.

>

12 Marvel movies that never made it (pictures)

"

| Agents | SHIELD: | Slingshot | Marvel-ous | online | spin-off | Natalia | Cordova | Buckley | Elena | Rodriguez | span>< | p> Photo | ABC< | span> A | spin | from | SHIELD< | span> | shooting | onto | Slingshot< | will | debut | mini | episodes | featuring | several | characters | show | based | Marvel< | comics | p> Natalia | takes | lead | super | speedy | Inhuman< | comes | into | conflict | with | SHIELD | shortly | before | beginning | series | four | which | just | finished | airing | Daisy | Johnson | Coulson | Mack | Fitz | Simmons | cross | over | main | make | appearances | p> Each | episode | between | minutes | long | appear | com< | Marvel | ABCs | mobile | launches | December | p> Slingshot | first | after | broadcaster | opted | ahead | mooted | called | Marvels | Most | Wanted< | however | said | about | Inhumans< | race | superbeings | that | have | already | appeared | September | 2017 | Imax | movie | theatres | p> Yo | 2008 | created | writer | Brian | Michael | Bendis | artist | Alex | Maleev | p> < | a> 12 | movies | never | made | (pictures)< | div> < | div> < | div> |

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‘Spider-Man: Homecoming’ Trailer: Peter Parker Teams with Iron Man in Marvel Reboot

Spider-Man is back in action with Marvel’s Avengers.

In the first trailer for “Spider-Man: Homecoming,” Marvel’s reboot of the popular franchise, the new Peter Parker (Tom Holland) takes a greater leap into Marvel’s Cinematic Universe after making a cameo in last year’s “Captain America: Civil War.”

Robert Downey Jr.’s Iron Man co-stars in the film as a superhero mentor to the web-slinger in what appears to be a new, younger storyline in the Spider-Man world.

Michael Keaton also start in the film along with Marisa Tomei and Hannibal Burress.

It swings into theaters July 7, 2017.

Watch the trailer below:

[embedded content]

"

| ‘Spider-Man: | Homecoming’ | Trailer: | Peter | Parker | Teams | with | Iron | Marvel | Reboot | Spider | back in | action | Marvel’s | Avengers | p> In | first | trailer | “Spider | Man: | Homecoming< | reboot | the popular | franchise | (Tom | Holland) takes | greater | leap | into | Cinematic | Universe | after | making | cameo | last | year’s | “Captain | America: | Civil | War< | ”< | p> Robert | Downey | ’s | Man< | stars | film | superhero | mentor | slinger | what | appears | younger | storyline | world | p> Michael | Keaton | also | start | along | Marisa | Tomei | Hannibal | Burress | p> It | swings | theaters | July | 2017 | p> Watch | below:< | strong>< | p> [embedded | content]< | span>< | p> |

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'Agents of SHIELD: Slingshot' is a Marvel-ous online spin-off

Natalia Cordova-Buckley is Elena "Yo-Yo" Rodriguez AKA Slingshot.

Photo by ABC

A spin-off from "Agents of SHIELD" is shooting onto the Web. "Slingshot" will debut as online mini-episodes featuring several characters from ABC's show based on Marvel comics.

Natalia Cordova-Buckley takes the lead as Elena "Yo-Yo" Rodriguez, a super-speedy Inhuman who comes into conflict with SHIELD in the spin-off. It's set shortly before the beginning of series four of "Agents of SHIELD", which just finished airing. Daisy Johnson and Agents Coulson, Mack, May, Fitz and Simmons will cross over from the main show to make appearances.

Each episode will be between 3 and 6 minutes long and will appear on ABC.go.com, Marvel.com and ABC's mobile app. The series launches on 13 December.

"Slingshot" will be the first spin-off from "Agents of SHIELD" after broadcaster ABC opted not to go ahead with a long-mooted spin-off called "Marvel's Most Wanted". ABC has however said yes to a show about the Inhumans, a race of superbeings that have already appeared in "SHIELD". The show will debut in September 2017 in Imax movie theatres and on TV.

Yo-Yo Rodriguez first appeared in comics in 2008, created by writer Brian Michael Bendis and artist Alex Maleev.

>

12 Marvel movies that never made it (pictures)

"

| Agents | SHIELD: | Slingshot | Marvel-ous | online | spin-off | Natalia | Cordova | Buckley | Elena | Rodriguez | span>< | p> Photo | ABC< | span> A | spin | from | SHIELD< | span> | shooting | onto | Slingshot< | will | debut | mini | episodes | featuring | several | characters | show | based | Marvel< | comics | p> Natalia | takes | lead | super | speedy | Inhuman< | comes | into | conflict | with | SHIELD | shortly | before | beginning | series | four | which | just | finished | airing | Daisy | Johnson | Coulson | Mack | Fitz | Simmons | cross | over | main | make | appearances | p> Each | episode | between | minutes | long | appear | com< | Marvel | ABCs | mobile | launches | December | p> Slingshot | first | after | broadcaster | opted | ahead | mooted | called | Marvels | Most | Wanted< | however | said | about | Inhumans< | race | superbeings | that | have | already | appeared | September | 2017 | Imax | movie | theatres | p> Yo | 2008 | created | writer | Brian | Michael | Bendis | artist | Alex | Maleev | p> < | a> 12 | movies | never | made | (pictures)< | div> < | div> < | div> |

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The French Touch Of Marvel Exhibition At Angoulême – Is It Missing Someone?

>

Panini is a French magazine publisher, most active in Europe and South America. Amongst many licenses are Marvel Comics which lets them republish any Marvel comic book series except for the Fantastic Four.

And they are celebrating twenty years of acquiring that license with an exhibition being held at the upcoming Angoulême Festival at the end of January, Le French Touche De Marvel, celebrating French creators working on Marvel comic books.

The festival celebrates the Marvel art of Moebius, Olivier Coipel, Jean Frisano, Philippe Buchet, Claire Wendling, Philippe Briones and Paul Renaud, as well as major French/Belgian comic book artists doing original takes on Marvel characters including Bastien Vives (image above) Penelope Bagieu, Lewis Trondheim, Boulet and more.

But someone they have missed out is Marvel artist Stephanie Hans. She writes,

@HansStephanie ‘i mean I only did, what ? A hundred and something covers, maybe I still have to prove myself, right ?

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@HansStephanie and of course, in that exhibition, there are also artists (that I like, it’s not the problem) who never worked for marvel

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@HansStephanie and of course, in that exhibition, there are also artists (that I like, it’s not the problem) who never worked for marvel

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@HansStephanie so again, congrats #FIBD2017 , you pissed me off

â€" Stephanie Hans (@HansStephanie) December 9, 2016

And its not just her.

@EnglishmanSDCC @actudufauve @OfficialPanini neither @bengal_art or @e_charretier , or JL Mast, or stephane Perger

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@soufex i am so pissed off, seriously

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@HansStephanie FUCKERS!

â€" Kieron Gillen (@kierongillen) December 9, 2016

The French Touch Of Marvel exhibition runs at the Angoulême Theatre â€" National Scene between January 26 to January 29, 2017 â€" produced by 9eArt + and  Panini Comics , with exhibition co-ordinator Matteo Losso.

Might be an idea to spell Straczynski correctly as well… I know, I know, pot, kettle, mauve.

"

| French | Touch | Marvel | Exhibition | Angoulême | Missing | Someone? | a>Panini | magazine | publisher | most | active | Europe | South | America | Amongst | many | licenses | Comics | which | lets | them | republish | comic | book | series | except | Fantastic | Four | p> And | they | celebrating | twenty | years | acquiring | that | license | with | exhibition | being | held | upcoming | Festival | January | Touche | creators | working | books | p> The | festival | celebrates | Moebius |  Olivier | Coipel | Jean | Frisano | Philippe | Buchet | Claire | Wendling | Briones< | strong> | Paul | Renaud< | well | major | Belgian | artists | doing | original | takes | characters | including | Bastien | Vives< | (image | above) | Penelope | Bagieu | Lewis | Trondheim | Boulet< | more | p> But | someone | have | missed | artist | Stephanie Hans< | writes | p> @HansStephanie< | ‘i | mean | only | what | hundred | something | covers | maybe | still | prove | myself | right | p> â€" | Stephanie | Hans | (@HansStephanie) | December | 2016< | p> < | blockquote> @HansStephanie< | course | there | also | (that | like | it’s | problem) | never | worked | marvel< | again | congrats | FIBD2017< | pissed | off< | blockquote> And | just | p> @EnglishmanSDCC< | @actudufauve< | @OfficialPanini< | neither | @bengal_art< | @e_charretier< | Mast | stephane | Perger< | blockquote> @soufex< | seriously< | blockquote> @HansStephanie< | FUCKERS!< | Kieron | Gillen | (@kierongillen) | blockquote> The | runs | the Angoulême | Theatre | National | Scene | between | 2017 | produced | 9eArt |  Panini | ordinator Matteo | Losso | strong>< | p> Might | idea | spell | Straczynski< | correctly | well… | know | kettle | mauve | p> |

Thank U Very Much for Read this News

The French Touch Of Marvel Exhibition At Angoulême – Is It Missing Someone?

>

Panini is a French magazine publisher, most active in Europe and South America. Amongst many licenses are Marvel Comics which lets them republish any Marvel comic book series except for the Fantastic Four.

And they are celebrating twenty years of acquiring that license with an exhibition being held at the upcoming Angoulême Festival at the end of January, Le French Touche De Marvel, celebrating French creators working on Marvel comic books.

The festival celebrates the Marvel art of Moebius, Olivier Coipel, Jean Frisano, Philippe Buchet, Claire Wendling, Philippe Briones and Paul Renaud, as well as major French/Belgian comic book artists doing original takes on Marvel characters including Bastien Vives (image above) Penelope Bagieu, Lewis Trondheim, Boulet and more.

But someone they have missed out is Marvel artist Stephanie Hans. She writes,

@HansStephanie ‘i mean I only did, what ? A hundred and something covers, maybe I still have to prove myself, right ?

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@HansStephanie and of course, in that exhibition, there are also artists (that I like, it’s not the problem) who never worked for marvel

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@HansStephanie and of course, in that exhibition, there are also artists (that I like, it’s not the problem) who never worked for marvel

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@HansStephanie so again, congrats #FIBD2017 , you pissed me off

â€" Stephanie Hans (@HansStephanie) December 9, 2016

And its not just her.

@EnglishmanSDCC @actudufauve @OfficialPanini neither @bengal_art or @e_charretier , or JL Mast, or stephane Perger

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@soufex i am so pissed off, seriously

â€" Stephanie Hans (@HansStephanie) December 9, 2016

@HansStephanie FUCKERS!

â€" Kieron Gillen (@kierongillen) December 9, 2016

The French Touch Of Marvel exhibition runs at the Angoulême Theatre â€" National Scene between January 26 to January 29, 2017 â€" produced by 9eArt + and  Panini Comics , with exhibition co-ordinator Matteo Losso.

Might be an idea to spell Straczynski correctly as well… I know, I know, pot, kettle, mauve.

"

| French | Touch | Marvel | Exhibition | Angoulême | Missing | Someone? | a>Panini | magazine | publisher | most | active | Europe | South | America | Amongst | many | licenses | Comics | which | lets | them | republish | comic | book | series | except | Fantastic | Four | p> And | they | celebrating | twenty | years | acquiring | that | license | with | exhibition | being | held | upcoming | Festival | January | Touche | creators | working | books | p> The | festival | celebrates | Moebius |  Olivier | Coipel | Jean | Frisano | Philippe | Buchet | Claire | Wendling | Briones< | strong> | Paul | Renaud< | well | major | Belgian | artists | doing | original | takes | characters | including | Bastien | Vives< | (image | above) | Penelope | Bagieu | Lewis | Trondheim | Boulet< | more | p> But | someone | have | missed | artist | Stephanie Hans< | writes | p> @HansStephanie< | ‘i | mean | only | what | hundred | something | covers | maybe | still | prove | myself | right | p> â€" | Stephanie | Hans | (@HansStephanie) | December | 2016< | p> < | blockquote> @HansStephanie< | course | there | also | (that | like | it’s | problem) | never | worked | marvel< | again | congrats | FIBD2017< | pissed | off< | blockquote> And | just | p> @EnglishmanSDCC< | @actudufauve< | @OfficialPanini< | neither | @bengal_art< | @e_charretier< | Mast | stephane | Perger< | blockquote> @soufex< | seriously< | blockquote> @HansStephanie< | FUCKERS!< | Kieron | Gillen | (@kierongillen) | blockquote> The | runs | the Angoulême | Theatre | National | Scene | between | 2017 | produced | 9eArt |  Panini | ordinator Matteo | Losso | strong>< | p> Might | idea | spell | Straczynski< | correctly | well… | know | kettle | mauve | p> |

Thank You Very Much for Read this Blog

A Marvel Illustrator Talks Adding Emotional Heft to Static Pages

Giaco Furino â€" Nov 27 2016

Even in static pages, Chris Samnee adds humor and realism. From Marvel's Thor: The Mighty Avenger. Screencap via

In this week’s episode of Strip Panel Naked, host Hass Otsmane-Elhaou continues his conversation with Marvel illustrator Chris Samnee. This week, the pair focus on Samnee’s work on Marvel's Thor: The Mighty Avenger, a series made along with Roger Langridge and Matthew Wilson. The page at the center of this episode follows a very simple set-up and payoff: Thor’s sidekick/cinematic love-interest Jane Foster (soon to become future Thor herself, though that’s a longer story) takes a call at her desk and hears a commotion outside her office. That’s it. But through small details and masterful layouts, Samnee’s able to add character and life to this opening page.

Samnee talks very plainly about plotting out straightforward scenes. “Ideally all I’m doing is putting myself in the character’s shoes,” he explains to Strip Panel Naked. “That’s all I was doing on this one. I’d read the dialogue and figure out how she would move and then figure out where the camera needed to be.” He goes on to describe what he thinks of pages without high action, “The people talking...that’s easy.”

To get the emotions of Jane right for this page, Samnee gets physical. “I act out all the emotions, but I do that with a fight scene, too. I act it out in my office. I do all the beats to make sure it can physically work in a fight scene and I do the same thing when somebody’s talking on the phone for six panels.”

Strip Panel Naked host Hass Otsmane-Elhaou illustrates the movement of a single panel. From Marvel's Thor: The Mighty Avenger. Screencap via

In the end, it's all about connecting with the reader for Samnee: "What am I going to have to do to make an emotional impact?" asks Samnee. "That's not exactly the scriptwriter's job. It's part of my job, it's one of my requirements, and it's something I take pride in doing."

Watch the entire video breaking down Samnee's seemingly simple page below:
[embedded content]

To see more, visit the Strip Panel Naked YouTube page, and check out its Patreon page to support the series.

Related:

A Comic Pro Speaks About Injecting Action Into Artwork

Change the Entire Nature of Your Comics with Color

An Indie Comic Master Uses Brilliant Understated Details to Tell His Story

"

| Marvel | Illustrator | Talks | Adding | Emotional | Heft | Static | Pages | Giaco | Furino | 2016 Even | static | pages, | Chris | Samnee | adds | humor | realism. | From | Marvels | Thor: | Mighty | Avenger. | Screencap | via In | this | week’s | episode | Strip | Panel | Naked, | host | Hass | Otsmane-Elhaou | continues | conversation with | illustrator | Samnee. | This | week, | pair | focus | Samnee’s | work | Avenger, | series | made | along | with | Roger | Langridge | Matthew | Wilson. | page | center | follows | very | simple | set-up | payoff: | Thor’s | sidekick/cinematic | love-interest | Jane | Foster | (soon | become | future | Thor | herself, | though | that’s | longer | story) | takes | call | desk | hears | commotion | outside | office. | That’s | through | small | details | masterful | layouts, | able | character | life | opening | page. Samnee | talks | plainly | about | plotting | straightforward | scenes. | “Ideally | I’m | doing | putting | myself | character’s | shoes,” | explains | Naked. | “That’s | one. | I’d | read | dialogue | figure | would | move | then | where | camera | needed | be.” | goes | describe | what | thinks | pages | without | high | action, | “The | people | talking...that’s | easy.”To | emotions | right | page, | gets | physical. | “I | emotions, | that | fight | scene, | too. | beats | make | sure | physically | scene | same | thing | when | somebody’s | talking | phone | panels.” Strip | Naked | illustrates | movement | single | panel. | end, | connecting | reader | Samnee: | What | going | have | emotional | impact? | asks | Thats | exactly | scriptwriters | job. | part | job, | requirements, | something | take | pride | doing. Watch | entire | video | breaking | down | Samnees | seemingly | below:[embedded | content] To | more, | visit | Naked YouTube | check | its Patreon | support | series. Related: A | Comic | Speaks | About | Injecting | Action | Into | Artwork Change | Entire | Nature | Your | Comics | Color An | Indie | Master | Uses | Brilliant | Understated | Details | Tell | Story |

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‘Spider-Man: Homecoming’ Trailer: Peter Parker Teams with Iron Man in Marvel Reboot

Spider-Man is back in action with Marvel’s Avengers.

In the first trailer for “Spider-Man: Homecoming,” Marvel’s reboot of the popular franchise, the new Peter Parker (Tom Holland) takes a greater leap into Marvel’s Cinematic Universe after making a cameo in last year’s “Captain America: Civil War.”

Robert Downey Jr.’s Iron Man co-stars in the film as a superhero mentor to the web-slinger in what appears to be a new, younger storyline in the Spider-Man world.

Michael Keaton also start in the film along with Marisa Tomei and Hannibal Burress.

It swings into theaters July 7, 2017.

Watch the trailer below:

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| ‘Spider-Man: | Homecoming’ | Trailer: | Peter | Parker | Teams | with | Iron | Marvel | Reboot | Spider | back in | action | Marvel’s | Avengers | p> In | first | trailer | “Spider | Man: | Homecoming< | reboot | the popular | franchise | (Tom | Holland) takes | greater | leap | into | Cinematic | Universe | after | making | cameo | last | year’s | “Captain | America: | Civil | War< | ”< | p> Robert | Downey | ’s | Man< | stars | film | superhero | mentor | slinger | what | appears | younger | storyline | world | p> Michael | Keaton | also | start | along | Marisa | Tomei | Hannibal | Burress | p> It | swings | theaters | July | 2017 | p> Watch | below:< | strong>< | p> [embedded | content]< | span>< | p> |

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