X-MEN: PRIME Ushers in a New Era for Marvel’s Mutants

We’ve got a ton of Marvel Comics news in this, your weekend edition of Comics Relief! Aside from all the Marvel news, we also have the scoop on a major indie publisher getting in on the superhero shared universe, plus more comics announcements. Read on for all the details!

With the titles and creative teams announced now for the >X-Men RessurXion run (see our item down below for the final one), Marvel has announced thatâ€"in order to get the entire Mutant Renaissance goingâ€"they are releasing a one-shot special called X-Men: Prime. The name itself calls back to the team’s heyday, as X-Men: Prime was also the special that relaunched the team after >Age of Apocalypse in 1995.

X-Editor Daniel Ketchum said, “ResurrXion is all about embracing the [X-Men’s] original dream of coexisting with humans and fighting together to make a better world. All the books in some way, shape, or form, embrace that idea. We’re going to get back to flights, and tights, and capes, and all the classic X-Men tropes. We very much want to harken back to that era where it’s the most classic iteration of the X-Men.”

One tidbit Ketchum dropped in the X-Men: Prime announcement was that the >X-Men: Blue teamâ€"which features the original five membersâ€"would add another female to the team. Considering that former X-23 and current Wolverine Laura Kinney is on the cover, I’d say she is a good bet to join the gang. For more from Ketchum on X-Men: Prime, plus sketches of the team’s new/old costumes, click on the following link: [Entertainment Weekly]

The last X-Men: ResurrXion title to get their creative team announced was the new >Cable series, but this week Marvel finally gave us the details. The new book will be coming from writer James Robinson, who wrote Cable for a stint in the ’90s, along with artist Carlos Pacheco. The new ongoing series will focus on Cable as a time jumping warrior. You can see preview artwork for the new series above.

According to Robinson, “Time travel is part of his make-up in almost every aspect of his history â€" no pun intended. This series will be Cable on a race against time to fix time. The reason Cable must take on this quest will reveal itself as the story and mystery unfolds, but he’s doing it for the sake of the Marvel Universe, which will fall apart if he doesn’t take action.” For more on the new Cable book, click on the following link: [Marvel]

For decades, publisher Fantagraphics was the ultimate anti-mainstream comics publisher. Home of such notable works as >Love and Rockets and >Eightball, you couldn’t find a cape and tights anywhere near a Fantagraphics logo. That changes in 2017 though, as the indie publisher has announced plans to launch a line of superhero books under the banner All Time Comics.

The new line was started by alternative cartoonist and writer Josh Bayer, created with his brother Samuel Bayer (director behind music videos like Nirvana classic “Smells Like Teen Spirit” and the not-so-classic remake of >A Nightmare on Elm. St).

The All Time line will have six individual but interconnected superhero stories featuring both veteran mainstream artists and some lesser known, indie cartoonists. The series launches this spring with Crime Destroyer #1, (for which you can see a teaser image for above), featuring the last art of longtime >Incredible Hulk artist Herb Trimpe who passed away last year. All Time Comics begins in March from Fantagraphics. For more info on the new line, be sure to click here: [CBR]

In anticipation of Danny Rand’s upcoming Netflix debut, Marvel has announced plans for a new >Iron Fist ongoing series, from writer Ed Brisson and artist Mike Perkins. The new series will debut in March and pick up where the Kaare Andrews 2015 Iron Fist: The Living Weapon series left off.

Brisson said in a statement, “Danny’s in a weird place. He’s questioning who he is and he’s pushing himself. He’s a person filled with self-doubt, but he’s always going to have his sense of humor about him â€" even if he’s using it to cover his own pain. He’s an outsider who’s always trying to fit in, trying to find a place where he belongs.”

Iron Fist will continue to star in the >Power Man and Iron Fist series, and will also take center stage in another title, Iron Fists, by Kaare Andrews and Afu Chan. The new Iron First hits in March, and you can see a teaser for issue #1 above. [The Hollywood Reporter]

Maybe as a way of cosmically balancing out the dark and sexy version of Archie, Jughead, and friends heading to the CW next year in >Riverdale, publisher Archie Comics is now teasing an even more wholesome version of their flagship characters. Archie Comics has posted a teaser image to their Facebook page featuring the outline of what looks like a tiny Archie Andrews and the words “Baltazar. Franco. LITTLE.”

Looks like the creators of Tiny Titans and Itty Bitty Hellboy Art Baltazar and Franco are coming out with a cute kid version of Archie and friends. The image features the heading “March, 2017”, so it looks like we won’t have to wait long for this one. You can see the new teaser image above. [CBR]

If you guessed that >Goosebumps creator R.L. Stine‘s upcoming work for Marvel was going to be centered around a monster type character, then you get a cookie and a gold star, as the publisher has announced R.L. Stine as the new writer behind their upcoming >Man-Thing series, a five-issue miniseries featuring the fearsome swamp beast.

Artist German Peralta will partner on the miniseries, and Stine will write the backup stories, which will have a new artist for each issue. The main story of the series will revolve around Ted’s attempt to escape his fate as the Man-Thing for good. For the full scoop on this new series, check out our full story right here: [Nerdist]

And finally, this week saw the release of >Wonder Woman ’77 Meets the Bionic Woman from Dynamite Entertainment and DC Comics. (You can read our review of issue #1 right here). The series had no shortage of artists who wanted to contribute art for the historic meeting of these feminist icons, and several produced covers for various retailer exclusives, including ’90s >Catwoman artist Jim Balent, Ben Caldwell, Mike McKone, Dan Parent, Andrew Pepoy, and J Bone. You can see each of the covers down below in our gallery. [Bleeding Cool]

Images: Marvel Comics / DC Comics / Dynamite Entertainment / Archie Comics / Fantagraphics

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Marvel vs. Capcom: Infinite Wants to Be Approachable Yet Complex

How the fighter is trying to appeal to newcomers and the hardcore through elegant design choices.

By Daniel Krupa

Back in 2011, I bought a copy of Marvel vs. Capcom 3, with the aspiration of mastering its systems. Unfortunately as someone who has no real fighting game experience and is inherently lazy, I found it a pretty intimidating experience. In fact, I can still see it on my shelf now as I write this, quietly judging me. So when Marvel vs. Capcom: Infinite says it wants to be accessible, I appreciate the olive branch.

I also realise that, for some, a word like ‘accessibility’ has other strong connotations when applied to a genre like fighting games. To the hardcore it might imply a lack of depth, but as Bill Rosemann â€" Creative Director at Marvel Games â€" tells me, that’s necessarily true and it’s something Marvel has a lot of experience with.

“A very key thing to Marvel in everything we create is accessible,” says Rosemann. “Whether you start reading the comics, or you start watching a TV show, or you’re seeing a film â€" we always say this may be their first comic, TV show, or film. It may be Doctor Strange or it may be Captain America: Civil War.

"So we start all of our stories very accessible, but we reward long term fans â€" so the more you read, the more you watch, you begin to make all of these connections. You watch a film, and you see Nick Fury approach another one of these characters and make these connections. The more you read, the more you watch, the more you see that it is very complex and interesting, and we reward you with your time. The game is the same way: very accessible, the more you play, the more you experiment... we’re going to reward all that time you’re putting into it.”

What we’re trying to do is make the game more elegant and simplified but still as complex and hardcore as it’s ever been.

Marvel has the mindset that any issue could be a person’s first, and that approach is informing Infinite. But as with previous games, it can still lead to a feeling, especially among die-hard fans, that their game is being taken away or diluted. I remember a similar conversation hovering around Dark Souls 2, yet that game turned out to be just as demanding as its predecessor. It does, however, make some of its systems easier to understand, which is no bad thing. Dark Souls doesn’t suffer noobs gladly.

“What we’re trying to do is make the game more elegant and simplified but still as complex and hardcore as it’s ever been,” says Mike Jones, Executive Producer at Marvel Games. “But we do want it to be approachable.” Jones stressed this was a new phase in the series â€" hence no ‘4’ in the title â€" and part of that goal is to attract a wider audience but not at the expense of alienating long-time fans.

“Say if you just love these characters and you want to hear a great story and see some great actions â€" it’s completely approachable in terms of how the systems work and in terms of how the controls work, but that depth is there if you want to find.”

Infinity Stones: Elegant Complexity

Even though the team wouldn’t be drawn into specifics, Peter Rosas - aka Combofiend - a former pro-player and an associate producer on the project teased where that complexity is to be found.

“There’s a very heavy technical aspect required to play the old ones,” says Rosas. “MvC2 is very unforgiving if you’re not very technical. But with this one [...] because it’s 2 vs. 2. It’s instantly that much more accessible. What you have is players who can just jump in, pick two of their favourite heroes; they don’t have to worry about assists. They’re not bogged down with all these decisions. Character, character, and your stone.”

>

Ryu activates the Power Stone.

The Infinity Stones â€" a recurring plot device in the Marvel Universe and soon to be a huge element in the MCU â€" unlock Infinite’s complexity and depth.

“We understand that three characters has been a staple for the last 16 years or so,” says Rosas. “To that effect we looking at the stones, and we were looking at a third character, and when you think about how teams were in the older games: what you had were two characters and then a third character who was a function, whether it be some type of pick-up or just for their assist â€" they weren’t picked because they were necessarily liked. They were picked for their functionality.

“So then taking that into account we thought what if we used the stones as functionality. What if we applied the stones to the team and then you modify the team entirely. So now you have the stone acting as a third character but also more than as the third character. The stone modifies the team in a way that really lets a player to create their own identity.

“Say I play a team of Ryu and Captain Marvel, and he plays the same, and he plays the same. But I play the time stone, and he plays with the power stone, and he plays with the mind stone. Suddenly, our tactics are very different. Our strategies are very different, and now we’re having a discussion which team is the best? What is the best way to customise the team? What’s the best strategy? It begins this discussion now. There’s much more customisation. There’s much more depth.”

While the specifics weren’t forthcoming, each stones seemingly applies a team-wide buff, which can be used to either compensate for a fighter’s weakness, amplify one of their strengths, or add an element they lack entirely.

“So you see with Ryu [in the trailer] he uses the power stone to knock Captain Marvel against the wall,” explains Rosas. “So suddenly characters who didn’t have that ability have a way to extend combos or knock the opponent back. There are multiple uses for them. In addition to that, there’s a final effect we’re looking into.”

The Infinity Stones unlock thousands of different permutations to play around with. Or as Rosas describes it: it’s “for guys who want to sit in the lab and discover things through endless possibilities.”

>

Captain Marvel uses the Time Stone.

In the Marvel Universe, the Infinity Stones are among the most powerful objects, and in a neat move Infinite is applying that story logic to the fighting genre.

“They allow you to break the rules of the universe,” says Jones. “So thinking about it through a fighting game lens: what rules of fighting games would the Infinity stones allow you to break? So we’re looking at attack, mobility, vitality, space control â€" all those things where we’re adding tool to a character’s toolset that they might not have otherwise.”

“So with Captain Marvel [in the trailer],” says Rosas. “You saw she activated the time stone. All her attacks were extremely fast. She broke the law of time.”

And Jones expects this Infinity Stone system to drive the game’s meta in the long-run:

“You look at the history of fighting games [...] people have their favourites, but ultimately what happens is only five or six [characters] who have the tools surface to the top and are worth playing if you want to be competitive. What the [Infinity stones] allow you to augment the entire roster, and make up for weaknesses or double-down on strengths to create strategies and, hopefully, the metagame discussion we end up hearing is Ryu with the mind stone is OP, or Captain with the time zone is the best thing you could possibly do, but if you do X and use this set-up it’s way better to use the reality stone... or whatever it is. That’s sort of the lab experimentation, hardcore fighting game that we hope emerge.”

Read on for how Infinite is taking cues from Civil War and who we can expect to appear in the character roster.

Continues

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| Marvel | Capcom: | Infinite | Wants | Approachable | Complex | How | fighter | trying | appeal | newcomers | hardcore | through | elegant | design | choices | div> By | Daniel | Krupa< | span>< | span> Back | 2011 | bought | copy | Capcom | with | aspiration | mastering | systems | Unfortunately | someone | real | fighting | game | experience | inherently | lazy | found | pretty | intimidating | fact | still | shelf | write | this | quietly | judging | when | says | wants | accessible | appreciate | olive | branch | p> I | also | realise | that | some | word | like | ‘accessibility’ | other | strong | connotations | applied | genre | games | might | imply | lack | depth | Bill | Rosemann | Creative | Director | Games | tells | that’s | necessarily | true | it’s | something | p> “A | very | thing | everything | create | “Whether | start | reading | comics | watching | show | you’re | seeing | film | always | their | first | comic | Doctor | Strange | Captain | America: | Civil | p> So | stories | reward | long | term | fans | more | read | watch | begin | make | these | connections | Nick | Fury | approach | another | characters | complex | interesting | your | time | same | way: | play | experiment | we’re | going | putting | into | ”< | p> What | simplified | ever | been | p> < | div> | mindset | issue | could | person’s | informing | previous | lead | feeling | especially | among | hard | being | taken | away | diluted | remember | similar | conversation | hovering | around | Dark | Souls | turned | just | demanding | predecessor | does | however | easier | understand | which | doesn’t | suffer | noobs | gladly | p> “What | Mike | Jones | Executive | Producer | “But | want | approachable | stressed | phase | series | hence | ‘4’ | title | part | goal | attract | wider | audience | expense | alienating | p> “Say | love | hear | great | story | actions | completely | terms | work | controls | there | find | p> Infinity | Stones: | Elegant | Complexity< | div> Even | though | team | wouldn’t | drawn | specifics | Peter | Rosas | Combofiend | former | player | associate | producer | project | teased | where | complexity | p> “There’s | heavy | technical | aspect | required | ones | “MvC2 | unforgiving | because | It’s | instantly | much | What | have | players | jump | pick | favourite | heroes; | they | don’t | worry | about | assists | They’re | bogged | down | decisions | Character | character | stone | p> < | div> Ryu | activates | Power | Stone | p> The | Infinity | Stones | recurring | plot | device | Universe | soon | huge | element | unlock | Infinite’s | p> “We | three | staple | last | years | “To | effect | looking | stones | were | third | think | teams | older | games: | what | then | function | whether | type | assist | weren’t | picked | liked | They | functionality | p> “So | taking | account | thought | used | modify | entirely | acting | than | modifies | really | lets | identity | plays | power | mind | Suddenly | tactics | different | strategies | having | discussion | best | customise | What’s | strategy | begins | There’s | customisation | p> While | forthcoming | each | seemingly | applies | wide | buff | either | compensate | fighter’s | weakness | amplify | strengths | p> “So | trailer] | uses | knock | against | wall | explains | “So | suddenly | didn’t | ability | extend | combos | opponent | back | There | multiple | them | addition | there’s | final | p> The | thousands | permutations | describes | “for | guys | discover | things | endless | possibilities | div> Captain | Time | p> In | most | powerful | objects | neat | move | applying | logic | p> “They | allow | break | rules | universe | thinking | lens: | would | attack | mobility | vitality | space | control | those | adding | tool | character’s | toolset | otherwise | “You | activated | attacks | extremely | fast | broke | p> And | expects | system | drive | game’s | meta | run:< | p> “You | look | history | people | favourites | ultimately | happens | only | five | [characters] | tools | surface | worth | playing | competitive | [Infinity | stones] | augment | entire | roster | weaknesses | double | hopefully | metagame | hearing | zone | possibly | better | reality | whatever | That’s | sort | experimentation | hope | emerge | p> Read | cues | from | expect | appear | em>< | strong>< | p> Continues< | p> |

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‘Spider-Man: Homecoming’ Trailer: Peter Parker Teams with Iron Man in Marvel Reboot

Spider-Man is back in action with Marvel’s Avengers.

In the first trailer for “Spider-Man: Homecoming,” Marvel’s reboot of the popular franchise, the new Peter Parker (Tom Holland) takes a greater leap into Marvel’s Cinematic Universe after making a cameo in last year’s “Captain America: Civil War.”

Robert Downey Jr.’s Iron Man co-stars in the film as a superhero mentor to the web-slinger in what appears to be a new, younger storyline in the Spider-Man world.

Michael Keaton also start in the film along with Marisa Tomei and Hannibal Burress.

It swings into theaters July 7, 2017.

Watch the trailer below:

[embedded content]

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| ‘Spider-Man: | Homecoming’ | Trailer: | Peter | Parker | Teams | with | Iron | Marvel | Reboot | Spider | back in | action | Marvel’s | Avengers | p> In | first | trailer | “Spider | Man: | Homecoming< | reboot | the popular | franchise | (Tom | Holland) takes | greater | leap | into | Cinematic | Universe | after | making | cameo | last | year’s | “Captain | America: | Civil | War< | ”< | p> Robert | Downey | ’s | Man< | stars | film | superhero | mentor | slinger | what | appears | younger | storyline | world | p> Michael | Keaton | also | start | along | Marisa | Tomei | Hannibal | Burress | p> It | swings | theaters | July | 2017 | p> Watch | below:< | strong>< | p> [embedded | content]< | span>< | p> |

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‘Spider-Man: Homecoming’ Trailer: Peter Parker Teams with Iron Man in Marvel Reboot

Spider-Man is back in action with Marvel’s Avengers.

In the first trailer for “Spider-Man: Homecoming,” Marvel’s reboot of the popular franchise, the new Peter Parker (Tom Holland) takes a greater leap into Marvel’s Cinematic Universe after making a cameo in last year’s “Captain America: Civil War.”

Robert Downey Jr.’s Iron Man co-stars in the film as a superhero mentor to the web-slinger in what appears to be a new, younger storyline in the Spider-Man world.

Michael Keaton also start in the film along with Marisa Tomei and Hannibal Burress.

It swings into theaters July 7, 2017.

Watch the trailer below:

[embedded content]

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| ‘Spider-Man: | Homecoming’ | Trailer: | Peter | Parker | Teams | with | Iron | Marvel | Reboot | Spider | back in | action | Marvel’s | Avengers | p> In | first | trailer | “Spider | Man: | Homecoming< | reboot | the popular | franchise | (Tom | Holland) takes | greater | leap | into | Cinematic | Universe | after | making | cameo | last | year’s | “Captain | America: | Civil | War< | ”< | p> Robert | Downey | ’s | Man< | stars | film | superhero | mentor | slinger | what | appears | younger | storyline | world | p> Michael | Keaton | also | start | along | Marisa | Tomei | Hannibal | Burress | p> It | swings | theaters | July | 2017 | p> Watch | below:< | strong>< | p> [embedded | content]< | span>< | p> |

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Design and prototyping tool Marvel scores £4M Series A led by BGF Ventures

Hot in the heels of its acquisition of POP, design and prototyping platform Marvel is disclosing that it has raised £4 million in Series A funding. Leading the round is BGF Ventures, with participation from previous backers including Index Ventures, Connect Ventures, Inreach Ventures, Andy McLoughlin and Richard Fearn.

Starting out life as a simple app for prototyping (or, really, wire-framing) web and mobile app ideas, Marvel has since grown into an all-in-one design platform that aims to make design and prototyping possible for everyone. It’s used by individual designers and teams to help companies put design at the heart of the organisation.

To do this, Marvel increasingly supports the entire web and app design workflow, from wire framing to user testing, and with a host of collaboration features.

What’s also interesting about the way the company and its product has grown is how this appears to have been partially achieved through a clever strategy of acquisitions. The web and app design ecosystem is full of features, if not products, many of which will never make it into scalable companies.

What Marvel has begun to do is buy up some of those features and products â€" prior to acquiring POP’s assets, it purchased design tool Plexi â€" and rolled them into its own product in order to stay ahead of the market. Today’s Series A is about building out Marvel as a company.

I’m told the startup’s platform now has over 1 million registered users, with around 35,000 new users signing up each month. Its largest markets are the U.S. and U.K., while it’s currently investing in sales, which, until recently, have largely been organic, and customer support. The new capital will also enable Marvel to expand into new markets, and develop new products.

Rory Stirling, partner at BGF Ventures, says in a statement: “We’ve watched Murat, Brendan and Jonathan build this business over the last few years and are extremely proud to be joining them on the Marvel journey. We love their obsession with product and their affinity for users. Amazing things happen when technology is used to simplify creative processes and we believe Marvel has the ability to transform the way individuals and teams create great products on a global basis. This is exactly the type of ambition we like to back at BGF Ventures and we look forward to helping the team scale up a business that already has an impressive and loyal user base.”

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‘Marvel’s Agents of S.H.I.E.L.D.’ Midseason Finale Recap: Ashes to Ashes

Henry Simmons as Alphonso “Mack” MacKenzie and Natalia Cordova-Buckley as Yo-Yo Rodriguez. Jennifer Clasen/ABC

Even though this is the second episode after a month-long break, Agents of S.H.I.E.L.D. is having a midseason finale because momentum isn’t something they care about apparently. Last week was about getting the agents back from the ghost dimension so they can take on Eli Morrow and this week we finally get to the climax they have been building to.

So what’s Eli doing? Well, he’s making a big, weird, glowing chamber but turns out his hired help hasn’t actually seen any money and the cops and S.H.I.E.L.D. are outside and they are starting to have some doubts in leadership. Eli quickly puts those fears to rest by paying the men by creating diamonds inside the lungs of one of the complaining members and tells the other men to cut him open if they want more. Pretty dope power move.

News crews are outside of the building where Eli is executing his master plan and Director Mace is trying his best to keep the situation under control. Coulson suggests using Daisy, Yo-Yo and Robbie to stop Eli but Mace is less than enthusiastic about the idea of using a still-wanted terrorist and a demon serial killer. Coulson reminds Mace that Robbie is unstoppable and is on their side and that they need all the help that they can get. No matter how many episodes we go through, people just can’t remember that Robbie is the only one that has managed to stop any of the Darkhold-related stuff. Coulson also believes that Aida can be of some assistance prompting him to reveal that she is an android. Despite Mace’s shock that people haven’t seemed to learn anything since Ultron (as well as revealing a slight attraction to her), Mace agrees to let Aida join the mission as long as she’s dismantled after.

With the go ahead from the director, Daisy, Yo-Yo, and Robbie are ready to storm the building. Yo-Yo runs in to do some reconnaissance only to trigger an explosion and gets hit from the blast. It turns out Eli created Caesium (which is apparently the most active metal on Earth according to Google) and Fitz realizes he’s testing the limits of his powers. Fortunately fire doesn’t scare Robbie at all and he heads on into the building. He takes out a few goons and finds the chamber Eli has created. It’s a quantum battery, similar to the one that was in the lab that first gave Eli his powers but this is on a bigger scale. Fitz has seen the set up before and realizes it’s called the Demon Core (because of course it is) and that it’s basically a fail-safe. If something messes with it, it activates the plutonium within (which Eli made from scratch) and everything goes boom. But before Robbie can do anything about it, he confronts his uncle and blames him for everything only to get stabbed by some carbon spikes preventing him from transforming. He is also facing radiation from the quantum energy in the chamber and Eli realizes the prison rumors of Ghost Rider were true and realizes it’s been his nephew this whole time.

Elizabeth Henstridge as Jenna Simmons and Iain de Caestecker as Leo Fitz. Jennifer Clasen/ABC

The agents still don’t have much of a plan. Yo-Yo is patched up from the blast and Mace wants her back in the fight as soon as possible only to get in an argument with a very heated Mack. Yo-To and Mack are still having their little lovers quarrel. Daisy has been feeling an increasing amount of seismic activity that Fitz is looking into and the lack of trust towards Mace finally reaches a tipping point as both Coulson and Daisy confront Mace about his dealings with Senator Nadeer. Turns out it’s all pretty simple, he gave Nadder Jemma to examine the Inhuman just so Nadeer wouldn’t release the photos of Daisy and Robbie during the prison incident â€" Nothing too sinister. Mace does however show a glimpse of uncertainty, which is something we don’t see often from his confident demeanor. He doesn’t believe they are a team, but Coulson is determined to prove just how great of a team they can be.

Back in the building, Eli is creating water now; elemental compounds that he says are the first step to being able to create life. Coulson appears at gunpoint with some of the thugs and delivers a beautiful line that Eli should “get a girlfriend first.” He might be held prisoner but he did bring a chain (!) so fingers crossed Ghost Rider will be able to use it. Underneath them however, the rest of the agents are putting their plan into action. Now it was tough for me to keep up with this logic here. I had to rewind five times just to see if I understood the plan. See, Fitz believes Eli isn’t creating matter from nothing. According to the law of conservation of energy, energy can neither be created nor destroyed. And even though Eli is power hungry, he doesn’t realize the matter is coming from the quantum energy from the other planes of existence. As he steals more energy, the tremors get worse. To stop Eli, Aida is going to rebuild the gateway to try and get rid of the potentially explosive quantum chamber. The process requires Daisy to control the building tremors and to keep Eli and his goons from killing all of them. There are some small moments where Aida is watching the agents in almost a studious way and I feel like it’s important to point it out and remember for later.

Eli reveals the Darkhold told him he can create life after death and Coulson realizes the chamber isn’t a failsafe but an actual bomb Eli intends to use. Acting fast, the agents move in with May and Mack taking out some of Eli’s gang and Yo-Yo doing a super cool slow motion run through the room. Even Mace is suited up in an armor suit of sorts and is tossing people around. Downstairs the agents are dealing with their own firefight as a gang member shoots Aida. Coulson tosses the chain to Robbie who turns into Ghost Rider and tries to pull himself away from the spikes sticking through him but instead lets go of the chain and chooses to burn up Eli instead. And in that moment the fail-safe goes off and the explosion happens only for the chamber to disappear thanks to the gateway.

Ming-Na Wen as Melinda May. Jennifer Clasen/ABC

Although Aida is bleeding out on the floor, she reveals she was programmed to react to pain just like a human would to better help her fit in as an actual target on missions. She’ll be fine, but that doesn’t mean she enjoys the process. Daisy is struggling after absorbing all the quakes and has to step outside quickly. She runs out and blasts herself into the sky and ends up landing right in the center of all of the news teams who quickly identify her as Quake. Mace steps in right on time to say she was the one that saved everyone and even calls her Agent Johnson.

Later, she mentions to Coulson how Robbie’s car should go to Gabe but Coulson doesn’t believe she should lose hope yet. He even mentions that the last Ghost Rider came back which could be a reference to the Johnny Blaze version we possibly saw in the flashback episode. It also could mean S.H.I.E.L.D. knew about Ghost Rider way before Robbie. All he says is it’s a long story, which means we might never get an answer.

Daisy is asked if she wants to be an agent again and she says there are definitely parts she misses and is also happy the new face of S.H.I.E.L.D. is an Inhuman. Turns out, Coulson actually wanted her to be the new face but Daisy only says, “maybe in the comic book version.” Beautiful. Also Mack and Yo-Yo kiss, so, yay. They can stop fighting, Daisy can stop whining, and everything should be good right? WRONG! Mace approves Radcliffe to work on the LMD program at S.H.I.E.L.D. and that means bringing his research over here. Agent Nathanson is the lucky guy that gets to go do that. And you don’t have to remember that name because as he is packing all of Radcliffe’s things up, he stumbles upon something shocking in a closet. So shocking that Aida shows up and snaps his neck after seeing it! What is it? Turns out it’s an unconscious May covered in blood. Wait? But if May is there, who is having a drink with Coulson at the end of the episode?! Is this May a robot? Is that why Aida is so keen on watching people? Is she learning from them so she can make copies of the agents? If you can’t wait for 2018 for the second season of Westworld, I would suggest coming back to Agents of S.H.I.E.L.D. in January for all of your robotic nightmares. Until 2017, True Believers!

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